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...smart beige gown and a length of shapely leg. From time to time as the prosecutor read the indictment, her long, blood-red fingernails fondled a corsage of tea roses at her shoulder as she cast a slow smile at her dapper defender, Major Luis Albarracin. Only flaw in her appearance was the dark line at the roots of her blonde hair. She gets special treatment at Madrid's women's prison, but her privileges do not include having a-hairdresser visit...

Author: /time Magazine | Title: SPAIN: The Temperamental Duchess | 1/10/1949 | See Source »

Some of the productions in the D'Oyly Carte Opera Company's current Boston repertoire have been on the disappointing side for this reviewer. A flaw or two in the casting have been noticeable, and perhaps some of the romantic glow assumed by the Gilbert and Sullivan operas during the lean years tended to disappear when they were seen again. Gilbert and Sullivan, despite the somewhat mystical reputation which time has given them, were no more consistent than any creative personalities, and there are bare spets and distinctly less interesting operas among their work...

Author: NO WRITER ATTRIBUTED | Title: 'Iolanthe' -- at the Shubert | 5/18/1948 | See Source »

Kent Smith is impressively military as Enobarbus; his greatest flaw is a continuous attempt to make the speech sound "realistic," a style which crushes the beautiful verse of such speeches as "The barge she sat in ..." Ralph Crinton as Oetavius is excessively noisy--perhaps more insistent than calculating. Lenore Ulrie's Charmian, complete with New York accent and undulating movements, is the low point of the performance...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 4/15/1948 | See Source »

...Technicians noted one minor flaw: in the closeups, Toscanini's starched white cuffs made long shadows on the screen...

Author: /time Magazine | Title: Radio: Notes of Triumph | 3/29/1948 | See Source »

...flaw in the troupe's production was neither its play, which was interesting if at times overdone, nor certainly the performances. The stage devices were a distinct weak spot-the vulgar and obvious music smacking of 19th Century melodrama, the sets shabby and clumsy, and the arrangement of the piece into a number of short scenes out-of-date and annoying. Victorian elements and language aside, however, the evening was distinctly an unusual and rewarding...

Author: NO WRITER ATTRIBUTED | Title: Shylock and His Daughter | 2/18/1948 | See Source »

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