Word: fledermaus
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Dates: during 1920-1929
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Musical: THE LITTLE SHOW, HOT CHOCOLATES, SWEET ADELINE, A WONDERFUL NIGHT (Johann Strauss's Die Fledermaus score), BITTER SWEET, SONS O' GUNS, FIFTY MILLION FRENCHMEN...
Musical: FOLLOW THRU, THE LITTLE SHOW, HOT CHOCOLATES, SWEET ADELINE, BITTER SWEET, A WONDERFUL NIGHT (for Johann Strauss's score?Die Fledermaus...
...Wonderful Night. Best known of Johann Strauss operas is Die Fledermaus (The Bat), which has been presented to various English-understanding audiences as Night Birds, The Merry Countess and is now offered by the Brothers Shubert under a persuasive title which suggests a Shubert burlesque or a cheap cinema. Since the humor-depending on a husband's seduction by a masked beauty who turns out to be his wife-is not certainly apparent to modern audiences, other Viennese values must be emphasized. Chief among these, of course, is the music, which the Shuberts have duly honored by hiring...
...Volksoper Jeritza had her most rigorous training, learned stage technique and many rôles. While there she took a holiday at Ischl where the Imperial family spent its summers. The Emperor Franz Josef liked the opera, liked especially Die Fledermaus of Johann Strauss. He went one night when Jeritza was Rosalinda, sat attentive in his box, tapped his foot to the music, clapped loudly when she sang the Czardas. Three times Jeritza curtsied deep and began again. . . . The performance went on. ... Right triumphed over wrong. . . . The old Emperor beckoned an attendant: "Why have they always old, fat singers...
...very stout lady's sake." The fine old figure of the Emperor Franz Josef flits through a large section of the book, together with many crowned and titled European celebrities and our own Roosevelt. At Ischl, Jeritza sang before the Emperor, in Johann Strauss's Die Fledermaus. "How he applauded! In the second act I sang the very brilliant Czardas, with its fiery, passionate frischka dance close. When I ended the Emperor clapped and did not stop until I sang the number a second time. Then we-he and I-repeated the performance; he applauded and I sang...