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...which passes 40% of the oil purchased by the non-Communist world and one-fourth of U.S. oil imports. That would cause economic chaos in the West, and Carter said last week that the U.S. was determined to keep the strait open, implying that it might organize an international fleet to do so. The Soviet news agency TASS thundered that "the U.S.A. is speeding up preparations for armed interference in the Persian Gulf area" and Secretary of State Edmund Muskie warned that the situation "could even escalate to the point where the unthinkable hostilities may take place"-meaning, presumably...

Author: /time Magazine | Title: Nation: Losing, Whoever Wins | 10/6/1980 | See Source »

...Fast is my normal speed," says Ken Follett, 31, who mastered his tempo at a Fleet Street typewriter. Fast is also the pace of the annual Follett bestseller. His latest thriller, The Key to Rebecca, streaks through the sands of plot with all the surprising velocity of one of General Erwin Rommel's panzer divisions in the North African desert-which happens to be where much of the novel takes place...

Author: /time Magazine | Title: Books: Nile Wiles | 9/29/1980 | See Source »

...Soviet guided-missile cruiser and its frigate escort have replaced the Shah's navy in patrolling the shipping channel through the 40-mile-wide Strait of Hormuz. The U.S.S.R. now maintains 85,000 troops in Afghanistan and has military advisers in South Yemen and Ethiopia, while a fleet of ten Soviet warships and 16 support vessels cruises the Indian Ocean...

Author: /time Magazine | Title: MIDDLE EAST: Preserving the Oil Flow | 9/22/1980 | See Source »

EXCEPT FOR ITS ending, there are no weak links in The Big Red One, but three sequences stand out. Fuller's dramatization of the attack at Omaha Beach on D-Day begins as a personal affair. Unlike the 1962 epic The Longest Day, which featured a fleet of landing craft the size of a dozen Spanish Armadas ("Every dot on that screen is one of our boats...we're making history"), The Big Red One focuses of five men, none of whom want to be heroes, all of whom desperately want to live...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/15/1980 | See Source »

EXCEPT FOR ITS ending, there are no weak links in The Big Red One, but three sequences stand out. Fuller's dramatization of the attack at Omaha Beach on D-Day begins as a personal affair. Unlike the 1962 epic The Longest Day, which featured a fleet of landing craft the size of a dozen Spanish Armadas ("Every dot on that screen is one of our boats...we're making history"), The Big Red One focuses of five men, none of whom want to be heroes, all of whom desperately want to live...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

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