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...watch more than 1,100 free music videos via the Real Music Guide, vs. about 200 on iTunes. Both stores sell singles for 99˘ and most albums for $9.99, but album prices can vary by a dollar or more. Each store has its exclusives: iTunes sells special tracks by Fleetwood Mac and JoJo, for example, while Real has some unique cuts from Incubus and Bob Marley...

Author: /time Magazine | Title: Technology: Punching at iTunes | 8/16/2004 | See Source »

...double entendres, which gives it a distinct creative advantage when dipping into the past. Honkin' on Bobo isn't burdened by respect or ambition. It's just a bunch of ragged blues covers (and one bluesy original) seemingly selected with the aid of a dart board (Aretha Franklin? Fleetwood Mac?), but other than a disastrously sincere take on Jesus Is on the Main Line, Honkin' on Bobo is full of clamorous charm...

Author: /time Magazine | Title: Music: Different Moods of Indigo | 4/5/2004 | See Source »

...double entendres, which gives it a distinct creative advantage when dipping into the past. Honkin' on Bobo isn't burdened by respect or ambition, it's just a bunch of ragged blues covers (and one bluesy original) seemingly selected with the aid of a dartboard. (Aretha Franklin? Fleetwood Mac?) There are lots of potential quibbles - like, for instance, that Aerosmith playing roadhouse blues sounds a lot like ZZ Top playing rock 'n' roll - but other than a disastrously sincere take on Jesus Is on the Main Line, Honkin' on Bobo is full of clamorous charm. Perry isn't the guitarist...

Author: /time Magazine | Title: Even Rich Men Get The Blues | 3/21/2004 | See Source »

...This is not an entirely bad thing—the music is smooth and even, exerting a vaguely soporific effect. This is the sort of music angry teenagers listen to in order to piss off the parents while catching a nap. The requisite heaviness, showcased on the cover of Fleetwood Mac’s “The Chain” is offset throughout by acoustic sections, but the juxtaposition struggles not to sound contrived, each acoustic passage luring the listener in for the predictable punch of distorted guitars...

Author: NO WRITER ATTRIBUTED | Title: New Music | 3/12/2004 | See Source »

...little tough when you finish one record and try to start another.” No doubt they’ll feel some inspiration soon. Leithauser lists bands as disparate as Neil Young, the Pogues, Randy Newman, and above all Bob Dylan as influences. He insists he remembers hearing Fleetwood Mac’s “Rumours” in the womb...

Author: By Rebecca M. Milzoff, CRIMSON STAFF WRITER | Title: Everyone Who Pretended to Like Them Was There | 3/5/2004 | See Source »

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