Word: fleischer
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Dates: during 1930-1939
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...Leon Schlesinger, Mr. Max Fleischer et al, make most of the animated cartoons produced in the U. S. Of the man who makes the rest and the best, Mr. Schlesinger recently observed: ''We're businessmen. Walt Disney's an artist. With us, the idea with shorts is to hit 'em and run. With us, Disney is more of a Rembrandt...
...Cronkhite '38, Hudson Falls, New York; W. N. Dale '49, Clinton, New York; D. H. Davidson '39, Grasmere, New York; W. H. Felmeth '39, Elizabeth, New Jersey; J. J. Fernsler '40, Flushing, New York; R. B. Finn '39, Niagara Falls, New York; R. Fleischer '40, South Norwalk, Connecticut; R. S. Fogelman '40, Pompton Lakes, New Jersey; W. H. Glazier '39, Hartford, Connecticut; H. Harris '39, New York; H. E. Kirkby '40, Norwich, New York; M. Lichterman '39, Brooklyn, New York; S. L. Madey '40, Buffalo, New York; R. M. Meyers '38, Newark, New Jersey; E. Mitchell '40, Hartford, Connecticut...
Employer Max Fleischer whose Popeye does most of his heroic feats on spinach alone, hired other help, refused to accede to strikers' demands. All summer the strike dragged on, marked only by such minor incidents as an abortive attempt by picketers to float propaganda balloons up past the studio windows, by the arrest of a few female strikers on such charges as shin-kicking, biting a police sergeant in the arm. In metropolitan theatres loud-lunged claques greeted the appearance of Fleischer cartoons with resounding boos. Fortnight ago C.A.D.U. announced that 13 cinema theatre circuits, including more than...
Meantime both sides settled down to a finish fight. Paramount and Max Fleischer continued to ignore the strikers as best they could; the strikers continued to picket Max Fleischer's studio, singing their own words to a well-known tune...
...flesh & blood. They are a number of two-dimensional creatures whose native haunts are the animated cartoons. As every cinemaddict knows, the thousands of hand- drawn pictures that go to make up one of these cartoons are the work of many hands. Last May, at Manhattan's Max Fleischer Studios (Popeye, Betty Boop, Screen Songs, Color Classics) 76 members of the Commercial Artists & Designers