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Helen Kane grew fatter. Her infantilism grew less appropriate and profitable. Betty Boop remained babyish, alert, and so prosperous that her name has lately become almost as familiar in Manhattan courtrooms as that of Ella Wendel. Last month, Producer Max Fleischer whose firm makes Betty Boop cartoons, distributes them through Paramount, successfully sued a doll manufacturer for imitating Betty Boop. Last week it was Producer Fleischer and Paramount Publix Corp. who were sued by Helen Kane for $250,000 for copying her voice and mannerisms...

Author: /time Magazine | Title: Cinema: Again, Boop | 4/30/1934 | See Source »

Justice Edward J. McGoldrick ruled against a jury. Counsel ordered Helen Kane to remove her coat, arrange her hair like Betty Boop. Defendant Fleischer produced three babyfaced young women who do the singing for Betty Boop cartoons. A court anteroom was darkened and three Betty Boop cartoons and one reel of a Helen Kane picture were projected on the wall. After this, Justice McGoldrick ruled that he had had enough, demanded records and music sung by Helen Kane and Betty Boop before he made a decision. Grown fatter but still talking with the voice of an indignant doll, Helen Kane...

Author: /time Magazine | Title: Cinema: Again, Boop | 4/30/1934 | See Source »

...Manhattan, Fleischer Studios Inc., producers of Boop cartoons, sued Ralph...

Author: /time Magazine | Title: Cinema: Boop in Court | 2/19/1934 | See Source »

Less famed than "Mickey Mouse" is the animated cartoon "Betty Boop." Claiming that the latter is a too palpable imitation of her own lisping seductive mannerisms, Singer Helen ("Boop-Boopa~ Doop") Kane filed suit against the Max Fleischer Studios and Paramount-Publix Corp...

Author: /time Magazine | Title: People, May 16, 1932 | 5/16/1932 | See Source »

...Soprano Fleischer had had a disagreement with Festival Conductor Albert Stoessel at a morning rehearsal. She had objected to the local accompanist provided for her, asked to have summoned from Manhattan little Kurt Ruhrseitz, her coach at the Metropolitan Opera House. Pianist Ruhrseitz arrived but by performance time Soprano Fleischer was missing. Festival directors searched widely for her, finally attributed her disappearance to temperament, proceeded with the concert without her. The directors should have known better. If Soprano Fleischer has flights of "temperament" she never shows them. After the concert she was discovered ia her hotel room (she had engaged...

Author: /time Magazine | Title: Music: Batons Up! | 10/19/1931 | See Source »

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