Word: flemish
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Dates: during 1950-1959
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...girls appeared excellently drilled. The Choral Society did not fare so well for most of the remainder of the evening, the Sopranos in particular being somewhat thin and ofttimes shrill. The group sang Mabel Daniels' new Carol of a Rose. The selection, with words from a fifteenth century Flemish poem, was quite unexciting. The highpoint of the Choral Society's performance was a full and lively rendition of Schubert's Valses Nobles, Op. 77. The first sopranos maintained a pleasant pitch, the second sporanos did not get lost in the altos, and the results were enjoyable...
Through the door a quiet young man was talking about Flemish tiles. "They're very old, and each one is different," he said, looking up from the floor to the walls. The somber group of prospective candidates looked up with him. The walls were covered with Flemish tiles; each seemed different and they looked very old indeed. The young man called their attention to the heavy wood cabinets against the walls as well: "They are also very old," he said, looking down at the floor again...
Staying clear of the High Renaissance masterpieces, the Lehmans on their regular summer trips to Europe sought out bargains to their taste, rapidly expanded the collection to include other Italian, Spanish, French and Flemish masters (including the prize of the collection, Petrus Christus' The Legend of St. Eligius and St. Godeberta, bought for $144,000 in 1921), filled it in with matching period pieces of Renaissance furniture, tapestries and majolica plates. Robert Lehman, who as a boy accompanied his parents on their art forays, exults: "It was a fascinating way to get an education...
...paintings included Rembrandt's Old Man Seated, Rubens' Flight Into Egypt, Flemish Dierick Bouts' The Annunciation and outstanding canvases by Corot, Degas, Boucher, Guardi, Fragonard, Frans Hals, Van Dyck, Manet, Monet, Renoir. Eventually Gulbenkian made the same offer he had made London: all the pictures free forever-if the gallery built a special Gulbenkian annex to house them. With regret the National Gallery refused, stuck grimly to the rule that its permanent works be displayed by schools and periods, not by collectors...
Background: Born in Brussels on Jan. 25, 1899, Spaak, like his native land, is an amalgam of two widely divergent strains. His Flemish father was one of Belgium's best-known artists, a poet, playwright and director of the Brussels Royal Opera. His mother, a Walloon, was Belgium's first woman Senator, the daughter of one of the nation's great 19th century liberal leaders and the sister of a former Prime Minister...