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Word: flesh-and-blood (lookup in dictionary) (lookup stats)
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...cities, Abe Ribicoff's Senate subcommittee dwelled mostly on the statistics of the problem, demanding answers and offering aggressive criticism. Last week it was the com mittee's turn to sit back and listen- and what it heard from a parade of witnesses was the chilling flesh-and-blood story of what life can be like in the ghetto slums of large U.S. cities. The Senators got an uncomfortable view of places where people have to hustle for pocket money and a moment's pleasure, where honesty's reward is hunger, and where prostitution, illegitimacy...

Author: /time Magazine | Title: Cities: The Menchildren Speak | 9/9/1966 | See Source »

...doubtful that the salvation of the theater lies either with flesh-and-blood newsreels or nerve-end sensationalism. But both at least point in the direction of reopening the theater to life, action and meaning. Whatever happens, the theatergoer should have a vantage point offered by no other art. He has a right to demand a place in the fire pit of existence, there to behold the spectacle of man in all his folly, pride and spirit...

Author: /time Magazine | Title: Essay: THE MODERN THEATER OR, THE WORLD AS A METAPHOR OF DREAD | 7/8/1966 | See Source »

...role of Tancredi, danced by Nureyev, was conceived as the only flesh-and-blood character on stage; the rest of the roles were grim and ghostly reflections of his troubled personality. To achieve a fittingly "queasy-uneasy" setting for the journey into the subconscious, Australian Set Designer Barry Kay studied various plants under a microscope, then conjured a shadowy, organic world streaked with veins like a bloodshot eyeball. Into this membranous setting, Tancredi is symbolically born, wobbling to life to face his first crisis. It comes in the form of two female images representing sacred and profane love. Torn between...

Author: /time Magazine | Title: Dance: For the Jung in Heart | 7/1/1966 | See Source »

...there's no time for sergeanting. Nominally assigned to the Fort Bragg, N.C., public information office, Sadler tours the country as a flesh-and-blood singing recruiting poster, and performs before big audiences from Atlantic City to San Francisco. He plays some commercial engagements, but only on leave, and he has earmarked part of his income to a scholarship fund for the children of veterans...

Author: /time Magazine | Title: Tin Pan Alley: No Time for Sergeanting | 4/15/1966 | See Source »

...boldly subtitled his latest book, Individuals, An Essay in Descriptive Metaphysics. The book is partly concerned with the difference between material objects and human beings, a highly technical question that, by extension, has to do with the very real problem of whether man can be explained like a flesh-and-blood object of whether he is an organism with a purpose. Another, younger Oxonian, Anthony Quinton, is completing a philosophical treatise, grandly titled The Nature of Things, that starts from the problem of identity and reference: Is a given object simply a bundle of qualities, or is it something more...

Author: /time Magazine | Title: Essay: What (If Anything) to Expect from Today's Philosophers | 1/7/1966 | See Source »

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