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...letter "Vermont Decision Ignores Tradition," (Letters, Feb. 28) Melissa Moschella attempts to argue that heterosexual intercourse is somehow "distinct" from homosexual intercourse because only man and woman can experience "unique two-in-one-flesh communion," in which the spouses are "truly united." The fact that heterosexual sex is thus superior, she concludes, means that only opposite-sex couples should be allowed to marry, in order to encourage this superior and socially useful form...

Author: NO WRITER ATTRIBUTED | Title: Letters | 2/29/2000 | See Source »

Underlying this silly "two-in-one-flesh" argument, however, is a more troubling notion--the idea that the feelings of same-sex couples are somehow inferior to those experienced by heterosexual couples, mere imperfect replicas of "real" love. Yet, the emotional intimacy between two men or two women can be just as real, and felt just as strongly, as that between a man and a woman. It's sad that people like Moschella won't acknowledge that...

Author: NO WRITER ATTRIBUTED | Title: Letters | 2/29/2000 | See Source »

...ends of marriage and that a committed marriage provides a stable and healthy environment in which to raise children, marriage is also good in itself as means of uniting the spouses. A homosexual relationship simply cannot be a marriage because the unique two-in-one-flesh communion that is the distinctive characteristic of marriage is only possible between partners of the opposite...

Author: NO WRITER ATTRIBUTED | Title: Letters to the Editor | 2/28/2000 | See Source »

Itai, 43, left the ring in 1991 but has stepped back into the sumo spotlight with charges that much of the flesh-to-flesh combat is mere show. In his day, he told TIME, 80% of the matches were fixed, with winner and loser worked out beforehand in the dressing rooms. "Match fixing was kind of matter-of-fact among the wrestlers," says Itai, a jocular, baby-faced giant. "None of us felt any guilt...

Author: /time Magazine | Title: Fatties In a Fix | 2/28/2000 | See Source »

...movie camera is an ageist. It does not care for mature flesh. It ruthlessly exposes the ordinary battle scars of middle-aged actors: the liver spots, the chest freckles, the once taut skin that now hangs like crepe. No wonder American film worships youth. Kids are not only its target audience; they are also its most photogenic subculture...

Author: /time Magazine | Title: Cinema: The War of Neurosis | 2/28/2000 | See Source »

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