Word: flesh
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While eating a tofurkey sandwich one day in London, Mark L. Nuckols had a brilliant idea. “If you can make tofu that tastes like turkey,” he says, “why not tofu that tastes like human flesh?” A year and a half later, Nuckols developed Hufu, a vegan, tofu-based food product that he calls the “healthy human flesh alternative.” Nuckols, a student at the Tuck School of Business at Dartmouth University, brushed up on his cannibal literature to perfect the flavor...
...certain where this fascination with white skin originated. Thakur and Goenka point to pale-faced conquerors from Britain and central Asia who forcefully instilled a reverence for whiteness. Cultural conservatives complain Hollywood is pushing aside Indian heroes in favor of Westerners all too ready to display their pale flesh. Some sociologists argue that in a country where most people still farm, dark skin is associated with lowly labor in the outdoors...
...unlikely that Bush will ever consummate his flirtation with the anti-immigrant right. It's too big a departure from his history, and too many Big Business G.O.P. donors need their cheap labor. "Bush decided to give these guys"--the immigration hard-liners--"their rhetorical pound of flesh," says a Republican official close to the White House. "In return, he wants a comprehensive bill, which is what he has always wanted. He's just going to lead with a lot of noise about border security...
...child soldier hidden in the bush, machete in his hand, insects crawling slowly across his exposed flesh, is waiting for the order to kill. “You want to be a soldier enh? Well—kill him. KILL HIM NOW!”This sort of guttural visceral action characterizes the majority of Uzodinma Iweala ’04’s “Beasts of No Nation”; the rapturously reviewed debut novel is the story of Agu, a child soldier in an unnamed African country. “Beasts” was originally written...
That is bound to strike some as America bashing; the attempts to flesh out terrorists, excuse making. But making them human shows us they are not superhuman: they make mistakes, they get emotional, they have doubts. Each of them may, at some point, be stopped. In Paradise Now, from Palestinian director Hany Abu-Assad, Said (Kais Nashif) seems like an ordinary slacker auto mechanic until he is chosen to undertake a suicide bombing, which he volunteered for long before. Said comes across not as a news-article composite but as a believable, mixed-up young...