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Word: fleshed (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Over her face she spreads a foundation cream, creating a pale and expressionless mask. She caresses her cheeks with a liquid rouge, slowly adding color to her face, tops it off by gently patting on a flesh-colored powder. She shadows her eyes with turquoise, dabs a few drops of perfume behind her ears, at her elbows, temples and wrists. With a dark pencil she shapes her eyebrows to give an artful lift to her expression, brushes her lashes with a penlike wand to emphasize her blue eyes. Finally, 20 minutes later, she spreads on the finishing touch - an orange...

Author: /time Magazine | Title: MODERN LIVING: The Pink Jungle | 6/16/1958 | See Source »

...leapt in my bonds and shouted with all my might. C- had just sent the first electric charge through my body. A flash of lightning exploded next to my ear and I felt my heart racing. I struggled, screaming, and stiffened myself until the straps cut into my flesh . . . Rhythmically, C- repeated a single question, hammering out the syllables: 'Where have you been hiding...

Author: /time Magazine | Title: Books: Ordeal by Torture | 6/9/1958 | See Source »

Members of the Class of '33 will also be treated to the first public exhibition of the Kronosaurus sea monster, a fossil skeleton of what was once the largest flesh-eating reptile in the sea. Reunionrs have been invited to a pre-public unveiling today. The exhibit will be open on general exhibition tomorrow, June...

Author: NO WRITER ATTRIBUTED | Title: '33 Invades Cambridge for 25th Reunion | 6/9/1958 | See Source »

...visit, he confided to a friend what the Russian experience had meant to him. "I tell you," he said, "these are my people. I guess I've always had a Russian heart. I'd give them three quarts of blood and four pounds of flesh. I've never felt so at home anywhere in my whole life...

Author: /time Magazine | Title: Music: The All-American Virtuoso | 5/19/1958 | See Source »

...efforts of the organist, James Armstrong, to surmount these difficulties while playing an extremely difficult part, were in some cases, notably the tremendous crescendo in "Behold, all flesh," very successful. However, his choice of stops was not always happy, particularly in the use of reeds in quieter sections. But the main defects were entirely beyond his control: the sense of release which is so integral to the form of the work is impossible except as indicated in the original scoring...

Author: By Paul A. Buttenwieser, | Title: Brahms' Requiem | 5/6/1958 | See Source »

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