Word: fleshed
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Dates: during 1950-1959
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...bites his wrist. He rips her dress off. Her eyes dilate. She clutches her breasts protectively. He kisses her brutally. She goes limp. Then slowly her arms, as if moved by a will of their own, go gliding around him, and her fingers dig greedily into his flesh. "Just once." she sighs a little later. "Just once...
...Stage Director Herbert Graf's adept use of the vast, open-air Felsenreit-schule* stage. But everyone agreed that it was the sets that gave the new Flute its real magic. Mozart's mystical fantasy of free masonry unfolded among three Egyptian temple arches of flesh-pink, violet, cerulean blue, turquoise, cobalt and yellow. The middle arch was framed by black sketches of symbolic heads, and its opening revealed projected landscapes. Papageno was dressed in a brilliant green feather coat, brick-red vest and yellow trousers, while the chorus of priests appeared in explosive shades of orange...
...feminine vitality, the 18th century Shrimp Girl in London's National Gallery. Where Hogarth suppressed all detail and strong color to concentrate on his model's glowing face, Evergood does the opposite. His girl is no prettier or more sensate-seeming than a doll, with chalky flesh and blaring costume. Yet she dominates her cluttered setting like a new, pagan deity, a personification of summertime on American shores...
...once again. Last week Afghanistan's King Mohammed Zahir Shah rode solemnly through Kabul's dusty, unpaved streets to the Shora-e-Milli (House of Representatives). There he urged his acquiescent Parliament to support the revolts of the Pathan tribes across the border in Pakistan, who are flesh and blood of King Zahir's own royal family. The British, in their old boundary-drawing days, had once separated the fierce Pathans (or Pakhtoons) from Afghanistan. Since the British never subdued them, say Pathan agitators, Pakistan has no right to claim their lands as a legacy from...
...reds in Renoir's portrait of Mme. Henriot (opposite) are sonorous indeed, make a rich foil for her pale flesh and paler costume. He used to say that all he asked of a model was "a skin that takes the light," but the portrait shows that Renoir could rise to and convey beauties of personality as well as those of flesh alone. His bronze study of Mme. Renoir nursing their son (right) goes beyond flesh and personality alike to celebrate an ever-recurring and ever-moving relationship...