Word: fleshed
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Dates: during 1960-1969
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...have two full-grown people finding themselves suddenly on earth, explained the director. "To imagine that they don't have certain desires would be ridiculous. So we try to show, without being obscene about it, how they satisfy those desires." First the man, dressed in a skintight, flesh-colored costume, experimentally maneuvered the woman, similarly sheathed, into various positions-rump to rump, shoulder to shoulder-until at last she twined her body around his left leg and sinuously slid up to a standing embrace. He was Adam, of course, and she was Eve - -in a highly successful...
...rallies-but no bunnies." Somehow, it has occurred to Hefner that he is the Tony Curtis of publishing and he has arranged for Curtis to do the Hugh Hefner story on film. Moving by Cadillac limousine or Mercedes-Benz 300 SL between his office and the house that flesh built, Hefner is actually a living promotion stunt, the most conspicuous playboy of the Middle-Western world...
...painful self-examination. De Chirico emerged in 1930, at the age of 41, with a radical change of style: a neoclassic Rubens-like technique featuring long-maned nudes, long-maned horses, knights in armor, and a series of self-portraits, some clothed in fancy dress and some in flabby flesh. To the artist's bitter dismay, his one-man revolution, aimed at the "horrible bestiality called modern art," failed to spark a following. Cognoscenti shunned the new technique and subject matter; De Chirico stubbornly stuck to his anachronistic style...
...elevate Grusha above generic goodness is particularly telling since he conceived the play in order to write a special part for Luisa Rainer, an expatriate German actress. His failure exemplifies the weakness invariably cited by the Communist critics: Brecht could create noble agitators and good proletarians, but never a flesh-and-blood working class character...
...habit of singing tantalizingly off pitch for a number of bars, or of interjecting a caressing wobble, or of suddenly, with a crack of her high-heeled foot, breaking and reshaping the beat. The image goes with the voice: in her nightclub appearances she frequently appears in a skintight, flesh-colored satin skirt and turquoise sweater with matching eyelids, and bumps and swivels her way through a repertory that is by turns sexy, solicitous, folksy and dramatic. There is not a mingy number...