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Jackson's visit was attacked as opportunistic by some black leaders and by the architects who planned the project, who declared that the basic problem at the Courts "is not bricks and mortar [but] flesh and blood." On the other hand, one of his frequent critics, the Atlanta Constitution, felt the visit was worthwhile as a symbolic act. The news paper reserved judgment about its effectiveness, however, noting: "It will be interesting to see if conditions are much better at Bankhead Courts six months from...

Author: /time Magazine | Title: The Nation: A Long Weekend | 11/4/1974 | See Source »

...more committed to reason as a basis on which campaigns ought to be fought." Last week he invaded politically hostile territory: a medical center in Watts. Dutifully following the guided tour, he was wary of seizing many hands. Asked why he did not take the opportunity to press more flesh, he shrugged: "The patients were there for medical care, not political therapy...

Author: /time Magazine | Title: THE ELECTIONS: Four Key Contests Revisited | 11/4/1974 | See Source »

...ever produce a consistent artistic vision that has emotional as well as intellectual authenticity. Persephone's Return is a fairly convincing argument that this is impossible. The characters and situations in the RIFT production never come alive; they remain abstract truths that need to be clothed in the flesh and blood of one person's experiences and convictions...

Author: NO WRITER ATTRIBUTED | Title: Feminist Theater: Politics and Art | 10/8/1974 | See Source »

...daughter of Debbie and Crooner Eddie Fisher. Like Mom, Carrie is starting her Hollywood career at age 17. Unlike the star of such '50s films as Tammy and the Bachelor, Carrie is shunning the girl-next-door image with some four-letter dialogue. "We have the same facial flesh," says Carrie of her resemblance to mother. "Cute. Round and cute. I think the reason they wanted me to do the role was the contradiction between the looks and the language. People don't believe you said it." Could her mother get away with off-color dialogue...

Author: /time Magazine | Title: People, Sep. 9, 1974 | 9/9/1974 | See Source »

Such figures as the majestic green-feathered angel and the rigid Madonna on the lunette fresco from Sant'Angelo in Formis (see color overleaf) are flesh-made-geometry. Even when a mosaicist tried to be more "naturalistic," as the Venetian artist who executed a Head of an Apostle in Rome around 1218 seems to have done, the medium itself-thousands of glass cubes like colored teeth-automatically formalized the work...

Author: /time Magazine | Title: Art: Tale of Two Cities | 8/26/1974 | See Source »

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