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...eventually released. Then, with his zealotry intact, lunuma proceeds alone to his assassination target as planned, and commits the suicide he had desired-in the book's last sentence, which is touched by Mi-shima's lucid, kinetic imagery. "The instant that the blade tore open his flesh, the bright disk of the sun soared up and exploded behind his eyelids...

Author: /time Magazine | Title: Books: The Suicide's Art | 6/18/1973 | See Source »

...most ebullient display of pressing the flesh since the days of Lyndon Johnson's breathless world tours At various times on Leonid Brezhnev's historic four-day visit to Bonn, television cameras caught the Soviet party chief kissing the hand of Chancellor Willy Brandt's wife Rut, bear-hugging the minister-president of North Rhine Westphalia, Heinz Kiihn, and talking to Brandt's diminutive foreign policy adviser Egon Bahr with both hands on his shoulders. Brezhnev grinned and waved at crowds so relentlessly, in fact, that his grandstanding seemed to nettle Brandt-no mean crowd pleaser...

Author: /time Magazine | Title: DIPLOMACY: Determined Suitor | 6/4/1973 | See Source »

...eliminate the London critics who have mocked and vilified him during his career. He kills each of them in a quite elaborate and grisly fashion, every slaughter based on a scenario provided by the Bard: one hapless critic, for example, has his heart cut out (the pound of flesh in The Merchant of Venice), another is stabbed to death on the Ides of March. Worst torture of all, perhaps, is that the poor struggling wretches must listen to Lionheart declaim passages from the pertinent play before he kills them. Besides Price, who is at his most enjoyably fulsome, the large...

Author: /time Magazine | Title: Cinema: Quick Cuts | 5/21/1973 | See Source »

...their sordidly chauvinistic, exhibitionistic portrayal of women. Depiction of the female body as existing solely for male satisfaction makes much chewier grist for one's moralistic mill than mere nudity or sex. Unfortunately, many self-styled guardians of the public taste seem to flail aimlessly at the naked flesh without real attention to the way it -- and the viewer -- are being exploited...

Author: By Christopher H. Foreman, | Title: Bare & Barren | 5/10/1973 | See Source »

...play's leading characters, Stanley Kowalski and Blanche du Bois, symbolize the eternal struggle of earthy reality v. the romantic imagination, bestiality v. beauty. Of course, the symbols would possess little dramatic strength if the two characters were not vivid flesh-and-blood people. For the play to achieve its maximum emotional impact, much depends on a balance of forces and an electric tension between Stanley and Blanche. The Lincoln Center Repertory Theater revival is slightly, but naggingly off balance...

Author: /time Magazine | Title: The Theater: Beast v. Beauty | 5/7/1973 | See Source »

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