Word: fleshed
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...family's fortune (U.S. Plywood) will enable him to do so again?and again. Criticized as a creation of television, Ottinger is countering with 14-hour days of personal appearances to affirm that the flesh and blood are real...
During a political journey to Georgia last week, where the President encountered Governor Lester Maddox, greeted black schoolchildren and pressed the flesh in behalf of Hal Suit, the Republican candidate for Governor, Nixon repeatedly paid tribute to backers of his plan in both parties. "It was a bipartisan speech," he proclaimed. "There was no partisanship in it. When people are working for peace, there are no politics in it." The Senate quickly and unanimously voted a resolution of support. Even though a lone irate Republican in Congress telephoned Henry Kissinger to complain that Nixon should have saved the speech until...
...flesh, deep in their eyes, Mailer was suspiciously aggressive where Styron was aggressively suspicious. Mailer hoped to get in the first blow; Styron hoped you would not steal his pocketbook. In private moods, one imagined, Mailer threw hot coals of rage where Styron brooded and sulked. One saw Styron in repose turning inward into himself, Mailer turning outward against the world; the first was sad and the second was angry...
...Rousseau in mind; the doctor many not be a poet, but he is inexorably caught up in the aftermath of the French Revolution and the birth of Romanticism. The film (like Pygmalion, or Frankenstein ) is deeply moving: in its story, one man turns an idea about humanity into flesh. And if the jump from idea to flesh, from symbol to image, constitutes the process of education, it also constitutes the process of cinema...
Some scenes, like a blue-lit stroll down the Faubourg, like a dance-hall in which two silk-swathed women dance a drunken, passionate tango, like an amphitheatre-like hospital for the mentally ill where the whiteness of the walls is relieved only by the paleness of pallid flesh, are demonically spell-binding. In fact, the succession of images-a giant stone head of Mussolini dragged across a bridge by two motorcycles, the fire-lit nude body of a homosexual eating dead cats amid the ruins of the Forum, Trintignant's eyes-recalls Fellini Satyricon in their bizarre intensity...