Word: fleshly
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Robots are playing an ever-increasing role in the war. iRobot, for example, has about 1,000 of its PackBots, ranging in price from $80,000 to $150,000, in Iraq scoping out IEDs, buildings and other places too dangerous for flesh-and-blood troops. Other companies have robotic Iraq veterans too. In Defense News, Kris Osborne reports that Exponent, a California firm, has had its MARCbot series since April 2004. They cost about $10,000 apiece, weigh 25 lbs and can be used at night. Meanwhile, Defense News says that Foster-Miller, a Massachussets company, may propose a lighter...
...latest terror to strike Iraq? Rumors of giant flesh-eating badgers in Basra. Locals even say the British army planted them. While the Brits have publicly denied the story, a new cell-phone video of the body of one of the clawed creatures has been fueling the rumor on the Internet...
...sometimes derisively refer to as the "Taliban," are notorious for committing excesses in their fervor for enforcing the Kingdom's puritanical Wahhabi brand of Islam. Typically, squads of mutaween patrol streets and shopping malls, caning shopkeepers who fail to shutter their doors at prayer time, scolding women who allow flesh to show from under their mandatory black gowns, and lecturing adolescent boys caught following or talking to girls. By the commission's reckoning, its members "correct" the behavior of 800,000 people a year...
...left; Jim, right) built a porn empire that included the famous O'Farrell Theatre in San Francisco and requisite rap sheet of obscenity and drug charges. The Mitchells also brought the world such adult-film classics as the 1972 Marilyn Chambers vehicle Beyond the Green Door, a $60,000 flesh romp that admirers would extol (seriously) for its plot, camera angles and musical score. It went on to earn the brothers $30 million on their investment. As Jim once philosophized: "The only art in this business is my brother Art." But success came with a heavy price...
...work, and his enthusiasm for the joy that food can bring is contagious. "This is the most beautiful thing I've done," he says about hosting the Documenta visitors. "You have to see their faces to understand it. It's not just something conceptual - they live in their flesh. It's a magical experience." Although Adrià is quick to point out that other media, such as photography, encountered artistic resistance when they were first introduced, he prefers to stay out of the debate over whether what he does is art or not: "That's for other people to decide...