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Word: fletcherism (lookup in dictionary) (lookup stats)
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Congressional reaction to the lobbyists varied from Vanik's offer of his office as a coordinating center, to Rep. Fletcher Thompson's (R-Ga.) comment to a student. "If you love Hanoi so much why don't you go there. As a matter of fact I'll get you a one-way ticket...

Author: By Dorothy A. Lindsay, | Title: Easy to but not Through | 5/19/1972 | See Source »

Poetry Reading. Glenn Schwetz and Chris Fletcher will read from their poetry at the Harvard Adcovate. Harvard Advoicate House, 21 South St. 8, May 18. Free and refreshments...

Author: NO WRITER ATTRIBUTED | Title: esoterica | 5/18/1972 | See Source »

...played by Bill Strong, are too sweet to be scheming and too sincere to be ridiculous. Tony Cesare's Polonius is silly, rather than senile; his character lacks what the genuine figure of Polonius invariably exhibits, an exaggerated sense of his worth and of the importance of his actions. Fletcher Word plays Hamlet who seems neither intense nor melancholy. Liz Hollister, however, portrays Ophelia effectively both in her Shakespearean and comi-tragic contexts; she performs her lines, taken directly from Hamlet, with suitable emotion, but dumbly submits to her being used as a prop in the play staged by Claudius...

Author: By Peter M. Shane, | Title: Rosencrantz and Guildenstern | 5/5/1972 | See Source »

NIGHT WATCH. In a mystery thriller, clues may be misinterpreted, but they ought not to be deliberately misleading. When the scattered links are put together, they should form a logical chain. Lucille Fletcher (Sorry, Wrong Number) fails to keep that compact with the audience. Most of Night Watch seems like a rehash of Gaslight, with a neurasthenic wife being driven totally batty by her calculating husband and his mistress (Elaine Kerr). An unprepared-for ending quite reverses this premise. As the lady with frayed nerve ends, Joan Hackett is convincingly twitchy, but she overworks the part to camouflage how underwritten...

Author: /time Magazine | Title: The Theater: Triple Trouble | 3/27/1972 | See Source »

...fault is to be found with this production, it lies in the play itself. Kopit's script is uneven, scurrying unpredictably from brilliance to pathos. Some of his lines carry a sublime irony, as in the death speech of Spotted Tail, the young Indian played articulately by Fletcher Word. Bill Fuller's comic Russian Grand Duke Alexis is moved to kill a Cherokee by Bill's pompous and flatulent boasting of his slaughters of the tribe, and shoots the first Indian who comes in sight. Spotted Tail falls dead, and then rises to address the audience...

Author: By Michael Ryan, | Title: Indians | 3/25/1972 | See Source »

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