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Word: fletcherize (lookup in dictionary) (lookup stats)
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...Theater Company is relying for the first time on its own resident actors to carry all the major roles. That they can do it successfully should come as no surprise to regular patrons, particularly when the leading roles are handled by such skillful people as Jan Farrand and Robert Fletcher...

Author: By George A. Leiper, | Title: THE PLAYGOER | 11/21/1949 | See Source »

...also a challenge to the actors, who met it only middling well. Robert Fletcher, for the most part, had sufficient vitality for his part as Don Juan. The star, however, was not impressive. In her unwillingness, as Dona Ana, to accept the kind of Hell and Heaven she finds, Claire Luce succeeds only in being unpleasant. Jerry Kilty, as Dona Ana's father, fully appreciated the humor of his part, as Miss Luce did not. The ministerial quality of Donald Stevens, as the devil, made his performance interesting, but he had little variety...

Author: By Edmond A. Levy, | Title: THE PLAYGOER | 11/5/1949 | See Source »

Miss Luce was much more satisfactory as the millionaires, and the Brattle Company supported her very well, with the exception of Fletcher whose mugging was rather amateurish. Jan Farrand and Peter Temple, on the other hand, were very pleasing, and on the whole, the actors were energetic and witty...

Author: By Edmond A. Levy, | Title: THE PLAYGOER | 11/5/1949 | See Source »

When Political Scientist Benjamin Fletcher Wright of Harvard University was appointed president of Smith College (TIME, March 21), he had a reservation: he was afraid he did not know enough about women's education. "I've got to do some homework," said he. Last week at his inauguration (which coincided with Smith's 75th anniversary celebration), President Wright showed how far his homework had taken him. He jumped right into the biggest question of all: What should women be educated...

Author: /time Magazine | Title: Education: What For? | 10/31/1949 | See Source »

...even with the noise and nonsense of Kilty's syphon squirting and the hilarious performance of Thayer David as Sir Andrew Aguecheck, the production has more substance than the usual farce. Donald Stevens is a thoughtful and detached clown. While Robert Fletcher's griping, prissy interpretation of Malvolio excludes all customary pity for his plight, it does not justify the brutal treatment he receives from the fetching chambermaid, Jan Farrand, and her licentious colleagues, Sir Tobey and Sir Andrew...

Author: By Herbert P. Gleason, | Title: THE PLAYGOER | 10/8/1949 | See Source »

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