Word: fletcherizers
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...extremely talented and extremely happy pop group from Oxford whose ideology, until now, has consisted in the systematic replacement of the most depressing features of adult life'n `love with their more pleasurable childhood equivalents; the band's iconography includes butterflies and flowers and paper cutouts, and bandleader Amelia Fletcher's voice would be called girlish were it not for the complexity of the hooks she sings. Early songs like "I Fell in Love with You Last Night" or "Shallow" stripped the love thing of all its political, and explicitly physical, components, allowing listeners of either sex to luxuriate...
...layers of superb, crisp hooks while ditching the Lewis Carroll ideology: perhaps in reaction to the Riot Grrrl thing, Heavenly has written songs about female self-reliance, gender-based intimidation and, yes, date rape. "P.U.N.K. Girl" is about a supercool but rather repressed "girl" (no age given) who, Amelia Fletcher wishes, would act as "punk" as she makes Fletcher feel: "P is for the painful way/You make me feel some days/U is for you turn me on..." "Atta Girl" gives a disco-flavored backbeat to congratulations for a girl who has just told off an unwanted male admirer...
...Heavenly's previous records, the striking thing here is the set of themes, and the departures (organ, backbeat, backing vocals) from normal Heavenly music that accompany the new themes; compared to records by anyone else, the striking thing about these tunes will still be, precisely, the tunes. While Amelia Fletcher is saying she doesn't need another guy, many a listener will be imagining she, or he, doesn't need any other record, so magnificent are the melodies on this one. K Records' domestic re-release of these two singles makes a perfect complement, or compliment, to the Katherine Hepburn...
...Fletcher was a special concentrator in Music and Dramatic Arts, whose senior thesis was a musical he was writing, directing and producing. Entitled "The Errols," it was the story of a Southern white gentleman, Lawrence Errols, and his mulatto grandson, Cedric, learning to love each other despite their differences in race...
...Fletcher immediately cast Toomer as the leading woman, Cedric's Black mother Elizabeth. She worked closely with Fletcher over the next year, and in late April of her sophomore year, she made her debut at the Agassiz Theatre, igniting rave reviews from audiences and critics...