Word: fleurs
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Dates: during 1950-1959
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Evita Perón and Fleur Cowles have a number of things in common. They are both blonde, sleekly dressed and eminent go-getters who came up the hard way. Some 18 months ago, Fleur, accompanied by her husband, Publisher Gardner (Look, Quick) Cowles, paid a 5½-day visit to Argentina, during which she met Evita. Fascinated, Fleur came home and wrote a book, her first. Published this week in Manhattan,* the book shows Fleur's flair for the feminine glance, supplemented, as she says,"by my own sharpened intuition...
...women met in President Peron's office. "She was elegantly dressed," writes Fleur, "as millions of American women would like to be dressed. The only giveaway was the orchid in her lapel [see cut]. No real flower that, but one of diamonds, larger even than an orchid, about five inches across by seven inches high-a brooch of big, pure white diamonds that must have been worth $250,000. Barrel earclips of diamond baguettes and her ball-like diamond ring were minor accessories by contrast...
Presidential Eye. "She stared back at me at first with a cold, unpleasant look." But "after she'd taken in every part of me (including the black pearl and diamond pin I wore)," Evita asked Fleur to stay a while...
...displayed a willingness (later, eagerness) to talk 'girl talk' about clothes, jewelry, coiffure . . . She kept eying the jewel I wore. Peron winked at me and said in his halting English: 'That's one she can't have.' " When Fleur remarked that Evita's hair was "very becoming worn straight and simply, she asked if I would look at pictures of her in the many ways she'd worn it." Big photographs were spread on the floor. Fleur looked them all over and pronounced Evita's latest hairdo her best. "Evita asked...
...heralded the advent of a new $2-a-copy quarterly, Gentry, which appeared last week, sponsored by Manhattan's Reporter Publications. The new magazine did not quite live up to its billing ("There is nothing in the world like it"). It looked rather like a masculine version of Fleur Cowles's late, ill-starred Flair. It looked even more like the fancy and expensive ($3 a copy) trade quarterly, American Fabrics, also published by Reporter Publications. Gentry abounded in detachable inserts (an architect's plans for a Finnish steam bath, a 16-page portfolio of engravings...