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...storage: "It's not much good to us now. We might lay it face downward and use it as part of the floor." ∙ ∙ ∙ Raptly gazing at herself on screen, Brigitte Bardot, 27, liked what she saw almost as much as the Paris critics. Her latest flick, Le Repos du Guerrier (The Warrior's Rest), directed by ex-Husband Roger Vadim, was lavishly lauded as her best bedtime story to date. To celebrate, she and her constant consort, Actor Sami Frey, 27, buzzed off to a Right Bank bistro to nuzzle the night away, touching...

Author: /time Magazine | Title: People: Sep. 21, 1962 | 9/21/1962 | See Source »

...numerous that The Victors may turn into The Second Longest Day. But there is no cause for alarm in the lofty moral tones of Carl Foreman's third inaugural. Foreman, by his own definition, is just a born failure. The Victors should be just as tremendous a flick as The Bridge on the River Kwai and The Guns of Navarone. If the message comes through, it will be prepaid...

Author: /time Magazine | Title: Hollywood: The Runaways | 9/14/1962 | See Source »

...ultimate air of TV reality, there will be a sponsor's booth commanding a view of the stage and auditorium, and equipped, of course, with television monitors so that the sponsor will feel right at home. It will also be mercifully soundproofed so that the sponsor may flick on his own commercials without disturbing the audience below. Facing the sponsor's booth is a tier of three picture-windowed control rooms on the other side of the hall. One is for recording, one is for radio, and one is for television...

Author: /time Magazine | Title: Concert Halls: Big Brother at the Philharmonic | 6/15/1962 | See Source »

...work; it is quite unimportant what lies behind the door." Whatever meaning or non-meaning lies behind the door, any reader can delight in watching the greatest verbal prestidigitator of his time at work, keeping seven ambiguities in the air, cutting cliches in half with a flick of his snickersnee, and as a finale, slipping out of the tightest of knots, the tidiest of pigeonholes. It may not be significant, but it is done with dazzling skill...

Author: /time Magazine | Title: Books: The Russian Box Trick | 6/1/1962 | See Source »

...absolute limit of tire adhesion, with the nose pointed perfectly down the straightaway and the throttle flat on the floor. Then you feel like an artist who has spent his life trying to paint the smile of Mona Lisa, finally gets it right with a single flick of his brush, and says to the rest of the world, "There, you bastards, match that!" There are not many who can even come close to Britain's Stirling Moss as a racing driver. Pint-sized and profane, he is on his way to becoming a legend in his own lifetime-pursued...

Author: /time Magazine | Title: Sport: A Bloody Go | 5/4/1962 | See Source »

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