Word: flicka
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Dates: during 1970-1979
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...these days for the speaker -a radiantly pretty mezzo-soprano from New Jersey who did not attend her first opera until she was 16, could not read music until 20 and probably would never have entered music school if a friend had not dared her. Her pals call her "Flicka," but to the world of music, she is Frederica von Stade of the Metropolitan Opera and a clamoring chorus of other companies in the U.S. and Europe...
Laser Beam. Her voice is only part of her appeal. At 31, Flicka is a trim size 8, with a modest but becoming bosom, rich brown tresses and a stage presence that somehow combines innocence and the poise of a pro. Says she, with disarming modesty: "I find solace in the fact that because of the ephemeral nature of the art, my performance, no matter how bad, cannot do permanent damage to Rossini...
...Flicka loves applause, yet takes the shortest curtain calls possible. She is perhaps the least career-hungry diva in opera, yet few singers have gone so far so fast. It was Rudolf Bing who plucked her out of the Met opera studio when she was 24 and gave her a contract. Three years later she surprised everybody by taking a season off to broaden her experience in Europe. There, in the spring of 1973, she scored a smashing success as Mozart's Cherubino in a new production of The Marriage of Figaro at the Paris Opera, with Sir Georg...
Phillip laZebnik's lyrics are at their best sublimely witty in the tradition of Noel Coward. Cole Porter and Tom Lehrer. "We'll be the perfect duet Two mouths sucking the same Sucret." "Call up Ronald Reagan and ask for my Friend Flicka." There are ten songs in the long first act, and nine in the second act, which is only 40 per cent as long. Some of these--"Power to Persuade" and "Team Song are the standouts--are clearly what makes the second act so much tighter than the first. The script is not quite funny enough--though...