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...films, from the requisite convenience-store holdup and multiple murder to a strident Ennio Morricone score (with the banshee harmonica from his Sergio Leone westerns). There's also a waitress named Flo. Stone swathes all this menace in his patented white-hot style: slo-mo, echoing voices, flashbacks that flick like lightning, cartoon sound effects (when the Mustang is mentioned, you'll hear a horse whinny). A streetwise Indian (Jon Voight) tells Bobby, "Your lies are old, but you tell 'em pretty good." Same with the film--a wily, parched comedy of really bad manners...

Author: /time Magazine | Title: NATURAL BORN THRILLER | 10/6/1997 | See Source »

...some striking images. But as in so many debut features, the script attempts to take on too much, sacrificing narrative focus for stylistic flair. What starts out as a younger, less bleak '50s version of After Dark My Sweet quickly turns into a meandering hodgepodge, alternating between generic buddy flick (obligatory scene in which cool guy teaches socially inept guy how to dress and impress the ladies) and violent cowboy soap opera. There's nothing wrong with genre fusing or having characters whose individual stories could constitute an entire script in themselves, but this film does it sloppily...

Author: By Brandon K. Walston, CONTRIBUTING WRITER | Title: 'Locusts' a Confused Film Debut | 10/3/1997 | See Source »

...Luxury builder Toll Bros. recently posted record quarterly earnings, revenues, signed contracts and back orders. Through July, existing homes were selling at a record annual rate of more than 4 million. Much of the activity is baby boomers' trading up to bigger houses, a trend that N.A.R. economist Fred Flick says will persist. So there's no reason to expect house prices to lose out to inflation in the foreseeable future...

Author: /time Magazine | Title: SEND YOUR MONEY HOME | 9/29/1997 | See Source »

Senior economics concentrators have spent four years working towards honors degrees, following the recommendations of economics tutors and advisors, yet all that advice has been invalidated at the flick...

Author: NO WRITER ATTRIBUTED | Title: Ec. Stings Concentrators | 9/22/1997 | See Source »

Hanson has translated Ellroy's hyped, dirty-real crime writing (some chapters consist of fictional headlines and news clippings) into a solid flick even a little sleeker than the original. Where the gritty could have turned grating, the dark places of "L.A. Confidential" hold up.Photo courtesy of Regency EntertainmentQUITE THE MORAL GUY: Ed Exley (GUY PEARCE) takes his search for crime off the street and into his own department...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: Men in Blue: Slick Film Goes Behind Closed Doors | 9/19/1997 | See Source »

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