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Word: flickingly (lookup in dictionary) (lookup stats)
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...closer, ever closer to Frank Butler, her husband, who must hold her targets steady while fighting against growing fear as she keeps testing the limits of her possibly lethal talent. Altman understates this joke, as he does literally hundreds of others, with his cinematic trademarks: overlapping dialogue and quick-flick cutting of film printed in faded colors, like old snapshots...

Author: /time Magazine | Title: Cinema: Bill Rendered | 7/19/1976 | See Source »

Less Labor. Together, the competitors have so far wrested 7% of the market away from IBM. Royal and some of the others even claim to have eliminated a minor but noticeable problem with the Selectric: "the flick." When two keys are hit in quick succession, the Selectric occasionally prints the second one as a hyphen. It is a problem that IBM puts down to changes in heat or humidity...

Author: /time Magazine | Title: Business: Chasing the Bouncing Ball | 6/21/1976 | See Source »

This unsavory brew of landlocked lechery and homicide has something -although not enough-to do with a Yukio Mishima novel. The book's spiritual narcissism and level tone of nightmare has been replaced here by the flossy look of soft-core porn, the pulpy dementia of a horror flick...

Author: /time Magazine | Title: Cinema: Children's Hour | 5/10/1976 | See Source »

What is Sophia Loren, 41, doing in yet another B flick? Now the Fiamma Napoletana is making Cassandra Crossing, a sci-fi thriller produced by Husband Carlo Ponti and co-starring Richard Harris, 42. In the movie, about a train that is supposedly germ-infested and is being shuttled around Europe with 1,000 passengers on board, Loren and Harris play a love-hating couple. "This role is basically ironic . . . it pleases me because I believe it is within my nature," says Sophia. That is not necessarily intended to be a comment on her 19-year marriage to Carlo, however...

Author: /time Magazine | Title: People, Mar. 22, 1976 | 3/22/1976 | See Source »

...Wonder, a washed-up wunderkind silent-film director. Inserts, the film, is also a garish interlude, examining the transformation of an accomplished and talented young movie-maker into a drunken pornographic film director. The story itself involves the efforts of The Boy Wonder to finish shooting a porno flick in the course of a single afternoon, all in the living room of The Boy Wonder's Hollywood Spanish mansion. A "degenerate film with dignity," tacked with an "X" rating, conjures images of Emmanuelle and The Story of O. These films are degenerate in the colloquial sense, wallowing in themes...

Author: By John Chou, | Title: Undignified Degeneracy | 3/17/1976 | See Source »

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