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...Virtuoso Shootout. Bogdanovich labored for almost six months on Gorman's gritty motorcycle flick The Wild Angels, rewriting the script, scouting locations, casting ("Peter Fonda was sort of my idea"). Gorman, impressed with both Bogdanovich's energy and his results, agreed to put up the money for his first feature. There were a couple of strings. Bogdanovich had to use Boris Karloff, who owed producer Gorman two days' work on an old contract, and a certain amount of unused footage from an old Gorman opus entitled The Terror. The finished film, Targets, contained a virtuoso Shootout scene...

Author: /time Magazine | Title: Cinema: Festival Prize | 10/11/1971 | See Source »

...very good performances, Spanish deserts and mountains some arrestingly picturesque vistas. The combination is not quite enough to make up for the inflated metaphors, which bob about on the surface of the action like a collection of lopsided inner tubes. Without them, the film would be just another action flick, rather better engineered than most...

Author: /time Magazine | Title: Cinema: Two by Losey | 8/9/1971 | See Source »

...wonder that most of the highly talented youth in this country who fail to go to college are girls. No wonder that those who do go often drop out at the flick of a ring. They have never really been in. They have not aspired to scholarship or service. This is not the dream of democracy: this is Brave New World...

Author: By Deborah B. Johnson, | Title: The Porch Light Was On | 6/17/1971 | See Source »

...Coop jumped on the bandwagon by advertising "Slightly Used" Naval Uniforms for a mere $22.50. Humphrey Bogart hit town in a new flick called Casablanca. And a move to liberalize parietal hours by permitting women in the dorms until 8 p.m. instead of seven (just a few years earlier, the rule that required that a third person also be present had fallen by the wayside) was defeated by the masters...

Author: By Gregg J. Kilday, | Title: The Class of '46 Meets the Class of '46 | 6/16/1971 | See Source »

...LATEST producer to go into the business of bankrolling films about Harvard is Harvard itself. Its popular documentary identifying demonstrators at the recent antiwar rally at Sanders Theatre is still touring the disciplinary circuit, and already the University has produced another flick which will probably be making the rounds with admissions committeemen for years to come. Those wondering if an independent producer can still make family pictures should take heart: Experience makes the Victory at Sanders Theatre documentary look like Night of the Living Dead...

Author: By Mike Kinsley, | Title: Cinema Veritas Victory at Emerson 105 | 5/11/1971 | See Source »

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