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Word: flickingly (lookup in dictionary) (lookup stats)
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...Damned yet, I do know that the aforementioned scene has got to happen. After all, it is a vampire movie, isn’t it? Even more telling though, is the film’s soundtrack—you can tell that this film is a hip horror flick, simply by listening to the soundtrack’s first song. Overall, there is nothing listed on the quieter side of nu-metal, so if you are not a fan, then skip this album...

Author: By Daniel M. Raper, CONTRIBUTING WRITER | Title: A Less Than Royal Soundtrack | 2/22/2002 | See Source »

Movie he’s ashamed to have seen: Titanic. The consummate chick flick...

Author: By Deborah B. Doroshow, CRIMSON STAFF WRITER | Title: Dorm Room Dialogue | 2/21/2002 | See Source »

...tape lasts just over two minutes, like a trailer for an upcoming horror flick. Three Arab men appear in separate shots: one has wide eyes and a gesticulating left hand; another appears to read from a text, never looking up at the camera; the third buries his head between his knees, then cozies up to a Kalashnikov and smiles. The silent footage, released by the Justice Department last Thursday, was spliced together from five tapes recovered by allied forces in the rubble of the home of Mohammed Atef, al-Qaeda's operations mastermind who was killed...

Author: /time Magazine | Title: The Martyrs' Home Movies | 1/28/2002 | See Source »

That effort has paid off. After more than a decade of research, scientists now know that the immune system doesn't simply flick on and off like a light switch. Instead, it responds to a bacterial, viral or parasitic invasion with a combination of defensive weapons matched precisely to the severity of the threat...

Author: /time Magazine | Title: Vaccines Stage A Comeback | 1/21/2002 | See Source »

...theft, it’s as slick as any I’ve ever seen, but the elements leading up to the climax captivate well before the film’s closing 30 minutes. Even though Ocean’s Eleven beats with a heart straight from a heist flick, through its veins courses much more substantial, more nuanced filmmaking. As with Traffic—though here much more subtlety—Soderbergh contrasts textures, colors and lighting in almost every scene. Damon’s introduction is filmed grainy and under-exposed, appearing as much a pickpocketing documentary...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Always Double Down on 'Eleven' | 12/7/2001 | See Source »

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