Word: fliegel
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...Maybe it would be really nice to get a job i-banking, make some money, and be happy with the money, but I’d rather really love exactly what I’m doing.”Catherine L. “Cassie” Fliegel ’06 actually sees screenwriting as the means to a greater showbiz end: success as an actress. Fliegel says she’s hoping to pull off “a girl version of ‘Good Will Hunting...
...Haven averaged $90-$116. That’s more expensive than the bus—a round-trip ticket on Greyhound will cost about $62—but the trip on Amtrak can be shorter by two hours or more. Some students plan simply to drive themselves. Cassie L. Fliegel ’06, a native of Cambridge, said she’s taking a group of her friends to the game in her dad’s Ford Explorer. Fliegel said that the advantages of driving included a flexible schedule, the space to store tailgating supplies, and the opportunity...
...same actors reappeared in acts two and three, representing people in Marlene’s real life. The versatility of the actors were an especial boon to the production. Props go to Thompson for an effortless transition and continuity between her roles. Cassie L. Fliegel ’06 as Marlene was solid but uninteresting in the first act, but Fliegel’s subtlety turned out to be a true plus. The contrast between the successful career woman and the struggling inner self was all the more poignant as Fliegal?...
...supporting cast works together very well. Morton mixes irony and earnestness splendidly, showing tremendous promise in her Harvard debut. Sara Petersen, as Foustka’s long-suffering love interest Marketa, starts her attraction to him suitably wide-eyed and ends it in a disturbingly potent way. Cassie Fliegel ’06, A.J. Wolosenko ’06, and Andrew Shimomura all turn in entertaining performances as Foustka’s sycophantic coworkers (Shimomura doing far and away the best job of the three), and Rowan Dorin ’07 does the same as a lower-level manager...
Credit must also go to Janie Fliegel, the reigning queen of Boston set-design, who constructs an apartment for the Slopers that demonstrates their wealth but also communicates how isolated and restricted Catherine is by her social station...