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Word: flipbook (lookup in dictionary) (lookup stats)
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Unlike Ware’s last book “Quimby the Mouse,” this edition is fully colored, complete with paper cut-out instructions for building a bookcase for the Novelty Library, a flipbook, and even two glow-in-the-dark pages with Art Deco-style zodiac constellations...

Author: By Janet K. Kwok, CONTRIBUTING WRITER | Title: Comics' Trendy Cousins | 10/20/2005 | See Source »

...Department of African and African American Studies’ website, there are four small photos featuring professors in the department. Three of the photos change every second, like a flipbook, so that a visitor to the site will get to see pictures of all of the department’s faculty members...

Author: By William C. Marra, CRIMSON STAFF WRITER | Title: The End of an Era: Af Am Looks to Rebuild After Year of Turmoil | 6/9/2005 | See Source »

...Extremely Loud,” this appears to require photographic illustrations, whole pages of blank space, disorienting experiments with typesetting, and a flipbook of a man falling from the burning World Trade Center. Although it’s an admittedly clichéd term, “Extremely Loud” is a multimedia experience, although to Foer’s credit, it’s not an offensively kitschy...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: BOOKENDS: Will the Real Jonathan Safran Foer Please Stand Up? | 4/13/2005 | See Source »

...another corner is “Cenotaph” by Steve Hollinger, which consists of a lever one pushes to activate a flipbook inside a block of concrete. A series of prisms allows the viewer to see the negative silhouette of a man dancing with a spear and what resembles the hat of a Venetian gondolier. Hollinger describes the piece as “art for a post-apocalyptic era.” While the purpose may be hard to grasp, it remains one of the favorite pieces in the exhibit, according to Jack...

Author: By Jayme J. Herschkopf, | Title: Mather’s Three | 3/19/2004 | See Source »

...another corner is “Cenotaph” by Steve Hollinger, which consists of a lever one pushes to activate a flipbook inside a block of concrete. A series of prisms allows the viewer to see the negative silhouette of a man dancing with a spear and what resembles the hat of a Venetian gondolier. Hollinger describes the piece as “art for a post-apocalyptic era.” While the purpose may be hard to grasp, it remains one of the favorite pieces in the exhibit, according to Jack...

Author: By Jayme J. Herschkopf, CRIMSON STAFF WRITER | Title: Mather’s Three Columns Exhibit Awes and Delights | 3/19/2004 | See Source »

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