Word: flipflop
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Dates: during 1960-1969
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...critical flipflop? Balanchine tactfully made it clear that it was not he who had matured, but the London audiences. His present company, he pointed out, is not necessarily better than the one he brought to Covent Garden in 1952. It is just that London balletomanes, long raised on dance with a heavy dose of story line, have lately come to realize, says Balanchine, "that you don't need the lousy little stories. They say Balanchine is a neoclassicist. They put you in a position where you are not, and then they can't comprehend when...