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Word: flipped (lookup in dictionary) (lookup stats)
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...investigated the FAA progress, and though it?s true that they?ve made many positive gains since last February, don?t be fooled. The FAA is far from out of the woods, and the flip side of its shiny Krugeraand of reassurance is a dull and gritty kopek of uncertainty and unanswered questions...

Author: /time Magazine | Title: The FAA's Year 2000 Problem | 2/2/1999 | See Source »

...improve upon the hermeneutics of chalktalk pundits and initiate pro football in a richer obscurantism. The thoughtful spectator will see the players as nodes through which institutionalized power relations are transmitted. From the flip of the coin, the stark binary "Either/Or" ("heads" or "tails") introduces us to a divided universe (kick off or receive? offense or defense?), a jockstrap yin-yang played out in a temporal dynamic of four quarters in a cycle of Sundays that recapitulates Vico...or is it Ibn Khaldun? I forget...

Author: /time Magazine | Title: Deconstructionist at the Super Bowl | 1/18/1999 | See Source »

...that the end of the semester lies just a page flip away on my VFW Memorial calendar, I find myself reflecting on my semester. Along with weekly papers in Gen. Ed. 105, I might be turning a bit schizophrenic, but now is my time to pause, let thoughts seep out, and hopefully let Grace seep...

Author: By James P. Mcfadden, | Title: With Frank, Always | 12/14/1998 | See Source »

...DIED. FLIP WILSON, 64, caricaturist; of liver cancer; in Malibu, Calif. Creator of such pop cultural icons as Geraldine--the proud, sassy black woman who warned admirers that "What you see is what you get!"--Wilson was the first African-American entertainer to host a variety show. His goofy, outlandish style of humor was defiantly nonpolitical. "Funny is not a color," he said. "My main point is to be funny. If I can slip a message in there, fine...

Author: /time Magazine | Title: Milestones Dec. 7, 1998 | 12/7/1998 | See Source »

Ostensibly, the opus was not uplifting. But it was rivetting. No one dared to flip a program during The Miraculous Mandarin. The tension mounted to such an unbearable degree that at the end of the piece, the audience collectively exhaled and all of Symphony Hall leaned back from the edge of their seats. It would be foolish to glean any message about death and dying from a pantomime. And yet, paradoxically, this is what the opus' power derived from. An audience could not help but be mesmerized when the tawdry relation between a prostitute and her customer explored the interface...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: Bartok & Mahler | 11/13/1998 | See Source »

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