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...Roberta, Flo...

Author: By L. P. Jr., | Title: TICKETS PLEASE | 11/23/1935 | See Source »

...Thomas lines. When the orchestra gets its cue for one of Ruth Etting's songs, Tom Riley, late of the University of Kentucky, is the man who penciled it in. Mr.Riley, in short, is a producer at NBC, one of the gentlemen who is as important to radio as Flo Zicfeld was to the Follics...

Author: NO WRITER ATTRIBUTED | Title: Tunes, Scripts Plagued Them in, College--And Still Do | 9/30/1935 | See Source »

...married-to a handsome ticket seller named Hopper, from whom she was later separated -and to become a celebrated comedienne. She had played with Lillian Russell in Giroflé Girofla, with Joe Weber in Higgledy-Piggeldy, with Sam Bernard in a burlesque of Romeo & Juliet, distinguished herself as Flo Honeydew in The Lady Slavey. After an unsuccessful engagement in London, she discovered a one-cylinder farce called Tillie's Night mare, played it in Manhattan for two years and on the road for three. It was in this that she sang "Heaven Will Protect the Working Girl...

Author: /time Magazine | Title: Cinema: Tugboat Annie | 8/7/1933 | See Source »

With this statement of his reasons for not releasing the names of all the 36 pictures Universal will make in the coming year, shrewd old Carl Laemmle Sr. last week revealed a few of his immediate plans: a cinema biography of the late Flo Ziegfeld, written by his widow Billie Burke; a dramatization of Only Yesterday to make all but youngsters recall the Nineteen Twenties;-'Charles G. Norris' lusty Zest; a story by Harold Bell Wright called Ma Cinderella, and Vicki Baum's I Give My Love...

Author: /time Magazine | Title: Cinema: Straws | 7/17/1933 | See Source »

Broadway knew "Flo" Ziegfeld for his temperament, his lavishness, his lack of humor, his publicity-madness. Broadway liked him nonetheless. Since the 1890's his short figure, his broad, pink face, thick nose and sharp eyes had been familiar to theatregoers. But he never let the public forget that his father had founded the Chicago Musical College, that his second job ?his first was with Buffalo Bill's show? was that of manager of the college. In 1892 he went to Europe to get orchestras for the Chicago World's Fair. On their failing, he went to New York...

Author: /time Magazine | Title: The Theatre: Glorifier's End | 8/1/1932 | See Source »

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