Word: floating
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...Astro-Spacemen decided that the patient could be floated much more delicately than that. In the first place, the weight of the board must be figured with the patient's, so the less that has to be added the better. The instrument makers hit upon an oversized bedboard made of an aluminum honeycomb, which weighs only 7 Ibs. To float patient and bedboard, they chose an air bearing of a type originally designed for instruments in missiles...
Gagarin said that weightlessness in orbit makes everything easier to do. "One's legs and arms weigh nothing. Objects float in the cabin. I did not sit in my chair as before, but hung in midair. While in the state of weightlessness, I ate and drank, and everything occurred just as it does on earth. I even worked in that condition. I wrote, jotting down my observations. My handwriting did not change, although the hand did not weigh anything, but I had to hold the notebook. Otherwise it would have floated away. I maintained communications over different channels...
Without a Brush. He almost never uses a brush. He dribbles paint onto a loose, unstretched canvas, swooshes it around, sometimes "kneads and hauls on the canvas as if it were sail." The triumph is that, even when dry, his canvases manage to look fluid. The colors float into view as if they had been poured like cream into iced coffee and for a moment were suspended. They merge or resist one another, but they are never smeared. To some of Jenkins' abstractionist colleagues they seem a bit too slick, but no one denies their flowing grace...
...weeks later, "about once a day I still lie back on my little couch and close my eyes, and I just relive tidbits of that ovation. That's about the highest cloud I could ever float on." But to a friend who called to congratulate her she said grimly: "You realize that my work has only just begun." Wherever the work takes her, she knows that from time to time she must go home to Laurel again: it is the place where she feels she can be "just Leontyne." After the triumphs at Salzburg and Milan, she recalls...
...development of a man who is one of the top half-dozen abstract painters in the U.S.-one who has created a personal idiom that pleases the initiated but to the others dramatizes some of the limitations of abstractionism. In canvas after canvas, glowing rectangles of color float over other rectangles. Each canvas is a study in contradiction: everything seems in shimmering motion, but nothing moves at all. The paintings offer windows looking out on blind space, but remain as two-dimensional and flat as the canvas itself. The same formula seems to be repeated over and over again...