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...William Wright. In “Harvard’s Secret Court,” Wright discusses University President A. Lawrence Lowell’s purge of gay students from Harvard. Based on an article in FM, the Harvard Crimson’s weekly magazine. Harvard Coop, Third Floor. 7 p.m. (DJH)Wednesday, Nov. 2Another Life. Despite its members’ youth—all are in their early 20s—Another Life has been a band for nearly ten years and their grunge-jazz style continues to evolve. Also playing are Westgate, Splint, and Veridical. 18+. The Middle...

Author: NO WRITER ATTRIBUTED | Title: Happening 10/28 - 11/3 | 10/27/2005 | See Source »

...There is expensive Marley flooring…that they say is good for any type of shoes [to dance on].”Raymond W. Keller ’08, a dancer in the Harvard Ballet Company (HBC) and the Harvard Contemporary Dance Ensemble (HCDE), also mentioned the floors of the new center.“One of the big advantages of the new space is that the floors are sprung so they’re a lot easier on dancers’ knees,” he says. “It’s like the difference between...

Author: By Alexandra C. Bell, CRIMSON STAFF WRITER | Title: Opening Moves | 10/27/2005 | See Source »

...first-time visitor, facing the Carpenter Center’s bleak concrete facade may be a bit daunting, but once on the fourth floor, entering the “Post-Brush” microcosm means embracing a captivating fantasia of color, chaos, and creation...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: VES 123r. Post Brush: Studio Course | 10/27/2005 | See Source »

Talent and creativity abounded as she walked through the room—on her left, fresh prints hung drying on the walls, on her right, rows of tables covered in paint, prints, and paper shreds. All the while, she climbed over discarded endeavors, abandoned haphazardly on the floor in artistic frustration...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: VES 123r. Post Brush: Studio Course | 10/27/2005 | See Source »

...even shocking images of women—ranging from the classical nude to the bonded victim—on ripped, square pieces of white textiles. She also combined these prints with a multi-colored, abstract drip technique and chose to present the pieces by leaving them scattered on the floor of the studio, accompanied by a photograph of a similarly random arrangement on the asphalt of a parking...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: VES 123r. Post Brush: Studio Course | 10/27/2005 | See Source »

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