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...Ornstein and nine other serious people took the stage at the Improv on Connecticut Avenue to vie for the title of Washington's Funniest Celebrity. Obviously the fact that it was all for a good cause, to benefit the Child Welfare League of America, gave the would-be comics flop insurance, but none of these people came to have their efforts patronized. They were in it for the glory...

Author: /time Magazine | Title: Guy Walks into a Press Briefing... | 11/23/1998 | See Source »

McKellen has had tiny roles in flop movies (Last Action Hero, I'll Do Anything), and though he originated the role of Salieri onstage in Amadeus, he didn't get the part in Milos Forman's film; maybe Forman thought F. Murray Abraham was more photogenic. Or perhaps he detected an unease in McKellen's film presence. "I belong on a stage," the actor says. "I feel totally at home. But at a studio, surrounded by other experts who all have their contributions to make, I used to feel a terrible pressure as the person in front of the camera...

Author: /time Magazine | Title: Cinema: Sir Ian McKellen: Ready for His Closeup | 11/2/1998 | See Source »

...defined hip-hop according to Public Enemy and Tribe feel like there are too few true artists with record deals that actually expose them beyond their area code. Hip-hop dinosaurs everywhere agree: what we need is an independent label to push a slammin' act that just wouldn't flop--even in a world where a track by Pras reaches number one in the pop charts. So when rumors about a Black Star album first seeped through the math, everyone saw the skies clear. The buzz actually proliferated some'm ridiculous. Might as well quote the 18th Letter: "Nobody been...

Author: By Andres A. Ramos, CONTRIBUTING WRITER | Title: The Hip-Hop Apocalypse Has Been Postponed | 10/23/1998 | See Source »

...real star is Jeff Goldblum as the network's frazzled manager. With his lupine smile and fake-intimate voice, he pushes a line of patter that is just a bit too slick to pass for charm. And when his life starts crumbling, you can almost smell his comic flop sweat through the screen. Tom Schulman's script is smart about the media's ability to create celebrities--and the viewer's need to embrace them--until it goes soft-hearted and -headed by denouncing the very salesmanship that Hollywood and TV are built on. For an hour or so, though...

Author: /time Magazine | Title: Cinema: Holy Man | 10/19/1998 | See Source »

...FLOP SWEAT (1960) Nixon turns pale and pasty debating J.F.K...

Author: /time Magazine | Title: Notebook: Sep. 28, 1998 | 9/28/1998 | See Source »

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