Word: florally
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That careful collage of floral arrangements, good thoughts, party favors and salad known as the ladies' lunch has always been something of an art form among Republican women, or at least among those who seemed to dominate in Dallas last week. For certain circles, Nancy Reagan has transformed a sprinkling of fresh raspberries in a tart shell into something approaching the national food. Ballrooms were packed at lunchtime with women who described themselves as mainstream. At a Monday lunch given by Anti-ERA-Activist Phyllis Schlafly, Dorothy Kranhold, an alternate delegate from Danville, Calif, said, "It amazes me that...
...lush countryside is lit up with apple, pear and cherry blossoms. Along narrow country lanes, lilacs bloom around stone farmhouses and over ancient walls. Cowslips, daisies and bluets ripple through the wet pastures, interrupted regularly by thick hedgerows. Once again the surging Norman spring is laying down a floral carpet over the old killing ground...
...generals led the funeral parade, carrying a large portrait of Andropov. His full-cheeked, almost youthful face contrasted dramatically with the skeletal, almost alabaster profile that thousands had glimpsed while filing past his coffin. A sea of red floral wreaths followed, adding a brilliant touch to a procession colored mostly in drab grays and black. Then two officers in tall Astrakhan hats appeared, carrying the late leader's 21 medals, including Orders of Lenin and Orders of the Red Banner of Labor on red satin pillows. It was exactly half the number of medals that had accompanied Brezhnev...
...million Soviets who died in World War II. Often the memorials are guarded by rosy-cheeked youths who carry automatic rifles (unloaded) and wear the red neckerchief of the Pioneers, the Soviet equivalent of scouts. On their wedding day, young brides and grooms go to war memorials to lay floral tributes to fallen soldiers. On park benches, old men playing chess wear rows of ribbons that attest to their military service...
...when they came, their blossoming was remarkable. In fact "blossoming" is hardly the word, for it suggests a soft, floral, ethereal event, adjectives one would not pick for the tough paintings, often full of barely controlled anger, that she was to produce after 1960. Krasner's cubist background had given her a strong sense of how to manage her pictorial field as a whole, rather than preserve, in abstraction, the choice of "figure" and "background." In the best of her '50s work, like Blue Level, 1955, the play of raggy shapes and roughly sliced strips of burlap...