Word: florestanã
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...work does not quite reach the desperation and pathos of other Clara-obsessed compositions (such as the Fantasy in C Major), it shares many of the features of other Schumann compositions from the same time period, namely capriciousness and extremity of emotions (from the heroic Eusebius to the introspective Florestan??the two characters of Schumann’s compositional personality). Kissin was at his best in the second movement “Aria,” his caressing tone working its magic in the acoustical splendor that is Symphony Hall. The fourth-movement “Finale?...
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