Word: florid
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...scenes: briefing scenes, bombing scenes and tearoom scenes. Sometimes it is difficult to distinguish among them because every set in the film, indoors and out, is flooded with mist. The sound track is inundated with John Barry's crashing score, next to which Michel Legrand's florid music for Summer of '42 sounds like Hindemith. Yet the plot does somehow manage to emerge. About halfway into Hanover Street, both of the heroine's men end up on the same-secret intelligence mission behind enemy lines in France. Things get tense. Who will live and who will...
...that Italian Director Ermanno Olmi is no fan of Bernardo Bertolucci's 1900. Like 1900, The Tree of Wooden Clogs is a lengthy (three hours), luxuriously photographed film about Italian peasants, but after that all similarities end. 1900 was a didactic epic that attempted to merge the florid drama of opera with the tenets of Marxism; Clogs is pointedly a tranquil, nonpolemical attempt to describe the peasants' daily existence in the objective manner of documentary cinema. Given their respective goals, Olmi's movie is the more successful of the two- yet at what price success? The Tree...
...boarding house near Columbia, Miss Lavore was a secretary, large and homely, and in her late '50s. "Nearly every night of the week she went to Arthur Murray's dancing classes. A framed, autographed portrait of Murray and his wife hung over her bed. It would be florid to say it hung there like a religious icon, but certainly the two secular persons filled Miss Lavore's heart with gratitude." The waltz, Miss Lavore had been known to say, is not as easy as it looks. There are other women--Josette, a fading Boston Brahmin, or Juanita, the daughter...
...still, he dramatizes the banalities of their domestic life. John's premarital flings with other women (including a French floozy who seems to have stepped out of Irma La Douce) get more screen time than the Ervin hearings. The Deans' bouts with alcohol are presented with the florid excess of an old Hollywood weeper like /'// Cry Tomorrow...
...technique of his European contemporaries, Liszt and Chopin, and a languid, aristocratic sexuality as well. Women vied for the white gloves he tossed aside before sitting down to play-and often for other favors afterward. His recitals, heavily laced with showpieces of his own composing, catered unabashedly to the florid, sentimental taste of the day. On occasion he disdained using one piano where ten or 14 would do. During the years before his death at 40 in Rio de Janeiro, he took to staging what he called "monster" festivals, sometimes jamming hundreds of players and singers on to the same...