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Word: floridation (lookup in dictionary) (lookup stats)
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...American millionaire Gene Henderson is perhaps the first white man to make the climb over the mountains into the tiny jungle village. That impresses the natives. So does the look of him. He is 6 ft. 4 in. and weighs 230 Ibs. To the black men, his florid face has many colors, and his nose is big enough, by his own boast, to "smell the whole world with." Henderson is also a psychological mess. His quest is for knowledge of Grun tu molani (the way to live). What he carries with him is the doom of self-doubt. "Well, Your...

Author: /time Magazine | Title: Music: The Pageantry of a Klutz's Mind | 4/25/1977 | See Source »

...revival of interest in his instrument and delighted millions on radio, records and in concerts for 40 years; after an operation for bleeding ulcers; in Boston. Born in England and first trained as an electrical engineer, Biggs "instinctively" moved to the U.S. in 1929. He disapproved of florid romanticism and played modern U.S. composers as well as Bach, Handel and Mozart in his reserved baroque style. An expert on the classic organs built centuries ago, he traveled throughout Europe to find instruments on which to play the music originally written for them...

Author: /time Magazine | Title: Milestones, Mar. 21, 1977 | 3/21/1977 | See Source »

...pleasures of Ferrer's new work are by no means puritanical. They are florid souvenirs de voyage -in some cases, of an imaginary Africa-in the form of tents. The tents are not habitable. One, entitled Sudan, has no entrance; the gloomy space inside is occupied by a stuffed toucan on a perch, eerie blue in the half-light. The accessible space in Sahara, for all the breadth of the piece, is a small womblike pocket. La Luna and Asia Solo can not be entered at all. They are not so much environments, therefore, as three-dimensional paintings...

Author: /time Magazine | Title: Art: Ferrer: A Voyage with Salsa | 2/28/1977 | See Source »

With the exception of the Snowflakes' waltz, borrowed from Vassily Vainonen's Kirov production, Baryshnikov completely restaged The Nutcracker. His choreography is in a classical mold, swift and precise. There are overhead lifts of every variety, and many florid codas. In spirit, Baryshnikov echoes New York City Ballet's Jerome Robbins. Fluent lyrical lines are buoyed up by the current of the music. Like Robbins, too, he sometimes descends into Broadway kitsch; a clash of cymbals in the orchestra pit invariably signaled a showy lift onstage. The audience adored...

Author: /time Magazine | Title: Music: Baryshnikov's New, Bold Nutcracker | 1/3/1977 | See Source »

...serves as a kind of latter-day Mad Hatter. From both husband and lover, Joan cleverly hides two secret shames: the fact that she produces feverishly romantic gothic novels and her pre-diet-pill memories of a miserably obese childhood. Both are telltale signs of a temperament too florid to suit the doctrinaire, modernist tastes of the men now in her life. One day, seized by a fit of automatic writing while staring at herself in a three-way mirror, she turns out a surreal prose poem called Lady Oracle that becomes a bestseller. Sudden celebrity as the author...

Author: /time Magazine | Title: Books: Motley with Method | 10/11/1976 | See Source »

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