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...artists Nita Rege and Bessie Turner bridge the gap between fine art and function. Imprinted with images of everyday objects - knives and forks, faucets, martini glasses - and rendered in one of six pale glazes, the tiles can be applied in volume or in smaller numbers to add a decorative flourish. "I'm fascinated by functionalism, but we approach each piece as an artwork," says Rege. "Some people even frame and hang them." Rege's life on the tiles began after Turner, a fellow graduate in ceramics from Edinburgh College of Art, started looking for tiles for her own kitchen. "Everything...

Author: /time Magazine | Title: Wall Mart | 12/18/2005 | See Source »

...reflects new optimism for the program’s future, which has been in question for the past couple of years. Yet while AAAS’s prospects are bright indeed, the conventional wisdom about the vicissitudes of the program’s fortunes and how to make it flourish has been all wrong...

Author: By Taro Tsuda | Title: Direction for Du Bois | 12/13/2005 | See Source »

...really think they care one way or another.” Meanwhile, another tray artist—a Winthrop mystery resident—has taken out his carving tools, inspired by the Lowell atelier. Since the two dining halls share trays, artistic cross-pollination has begun to flourish. It just may be that a second Renaissance is upon...

Author: By Véronique E. Hyland, CRIMSON STAFF WRITER | Title: Brendan S. Millstein ’06 | 12/8/2005 | See Source »

...clear: it's the songs that raise the show to their level, not the other way around. The show's reproduction of the Seasons sound is quite astute; the songs sound pretty much as they did on record, except that instead of fading out they often end with a flourish; and they are played faster, as if the producers wanted to shave a few minutes off the running time, so the audience could catch an earlier PATH train back to Newark...

Author: /time Magazine | Title: The Falsetto Meets "The Sopranos" | 11/25/2005 | See Source »

...people's deaths, but I never lost a night's sleep. Never. Because I had 500 pages of U.S. law to hide behind." Gaghan's initial thought was that he had been fed a line--and a bad one. Gradually, though, he realized Baer's candor with a flourish was not affectation but a kind of verbal rosary. Baer had done some bad things, and he needed to reassure himself and others that he had done them for a good cause. "When I started this whole process, I ran across this Victor Hugo quote. 'Exile is not a material thing...

Author: /time Magazine | Title: "So, You Ever Kill Anybody?" | 11/13/2005 | See Source »

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