Word: flow
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Dates: during 1960-1969
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...have corrosive and hypnotic powers of its own. At its core is not merely hate but a vision of power. During an antiwar demonstration in Washington, New Left Historian Staughton Lynd had an almost mystical vision of mob rule: "It seemed that the great mass of people would simply flow on through and over the marble building, that had some been shot or arrested, nothing could have stopped that crowd from taking possession of its Government. Perhaps next time we should keep going...
...relatively small hernia will permit the lowest part of the gullet to slide upward into the chest, while a larger one will let part of the stomach slide up (hence the synonym "sliding hernia" for a hiatal hernia). In such cases, some of the stomach's acid contents flow back up into the gullet, causing irritation and inflammation (esophagitis...
...increased burden would fall upon Cambridge, and how much upon other cities, particularly when it is not clear how many housing units in the City would fall under rent control and how many would remain exempt. The pressure on housing created by the lack of new construction would flow in many directions, but in any case this stagnation would have important implications--ones seemingly ignored by the referendum campaign--on the cost of all types of housing available in Cambridge...
...will continue to help them, regardless of the internal decay. Thus whether by publicly putting up a show-window front or by silently committing to exhibit the realities of weakness and decay--either way--the present South Vietnamese leaders think they can manipulate the united States into maintaining the flow of military and financial support...
Toni used relatively restrained camera movements, at most slow pans (excepting one frightening tract), to create a world of permanence--the land, into which all the characters' actions flow. This formal method realizes the plot to give the film a feeling of fatality an fixity. The world of La Marseillaise is a world of motion. But the moral structure of the films--Renoir's view of the place of personal feelings and actions in the world--is the same. Both films are created, closed works, the setting of La Marseillaise being as purely evocative (again, one couldn't draw...