Word: flower
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Dates: during 1940-1949
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...That man is truly ethical," he has written, "who shatters no ice crystal as it sparkles in the sun, tears no leaf from a tree, cuts no flower. . . . The farmer who has mown down a thousand flowers in his meadow to feed his cows must be careful on his way home not to strike off in heedless pastime the head of a single flower by the roadside, for he thereby commits a wrong against life without being under the pressure of necessity...
...thin time of it. The newspapers paid little attention to him. Some who met him at parties and receptions described him as a disagreeable young man utterly uninterested in everything and everybody. After the wedding breakfast, while other guests, led by George VI, pelted Philip and Elizabeth with flower petals, Michael held aloof, finally walked away...
...such things are likely to go on only in the big, sinful cities like London. In the Cheshire market town of Macclesfield last week the heavy betting all seemed to be above board as Chrysanthemum Champ Jim Jackson preened his finest blossoms for the local flower show. Macclesfield's wise money was all on the old champ's posies to cop the prizes, and only a few flashy characters, who were strangers to the town, bothered to play the long shots opposing Jim. Then, a day or so before the show, someone broke into the Jackson hothouse...
...cannot safely say -as long as he sticks to a criticism of their public performance.* Sample, from the Des Moines Leader, describing the Cherry Sisters at the turn of the century: "Erne is an old jade of 50 summers; Jessie is a frisky filly of 40; and Addie, the flower of the family, a capering monstrosity of 35. Their long skinny arms . . . swing mechanically [and wave] frantically at the suffering audience. The mouths of their rancid features opened like caverns, and sounds like the waitings of damned souls issued therefrom...
...everyday matter for William Blake to converse with the ghost of a flea or Milton's apparition, and his works are clearly those of a man who saw "A world in a grain of sand, and a heaven in a wild flower." The subject matter of most of the paintings in the present exhibit, the Book of Job and the Divine Comedy, completely suit the artist's mystical nature; only such a man could tear from the delicate medium of watercolors all the horror and ecstasy of Job's sufferings and Dante's revelation...