Word: flower
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FORTY CARATS is a light and frothy French farce by Pierre Barillet and Jean-Pierre Gredy, the team that wrote Cactus Flower. Julie Harris, as a twice-divorced damsel of 40 who is wooed and won by a lad nearly half her age, proves that love is a game for all seasons. As a tonic for middle-aged matrons, the play is so potent that Producer David Merrick may have to institute extra matinees to handle the crush...
Other Sapone contributions to Picasso's wardrobe include a white silk suit, which the artist wears to bull fights, and a brown velvet smock with a collar so high and broad that the tailor told Picasso: "Your head emerges from the collar like a flower from a pot." In return, Picasso has given him about 50 paintings and sketches - including a powerful War and Peace pastel contrasting dancing nymphs with a hideous fire-belching monster. According to a Riviera dealer, the work, which Picasso gave in payment for a pair of trousers, would now fetch...
FORTY CARATS is a frothy French farce from Pierre Barillet and Jean-Pierre Gredy, the team that wrote Cactus Flower. Julie Harris, as a twice-divorced damsel of 40 who is wooed and won by a lad nearly half her age, proves that love is a game for all seasons. As a tonic for middle-aged matrons, the play is so potent that Producer David Merrick may have to institute extra matinees to handle the crush...
...fogs enshroud the Seine. But to Madame Mai Ky, 26, the beautiful wife of South Viet Nam's Vice President Nguyen Cao Ky, the first trip to the "City of Lights" was a source of infinite wonder. With her husband and three-year-old daughter Duyen, Mai ("Snow Flower" in Vietnamese) explored the palace grounds at Versailles. When Ky was busy, Viet Nam's Second Lady delightedly wove her way through the salons of Courrèges and Lanvin. The Vice President was spared a whopping bill only by his wife's prudent deference to protocol. Said...
...says, a "table of drops" based on body weight was worked out by long experience "so that the length of the free fall would neither leave the man to wriggle nor tear off his head." The true stagecraft of a funeral, says Goffman, is found "backstage," away from the flower-bedecked parlor. "If the bereaved are to be given the illusion that the dead one is really in a deep and tranquil sleep, then the undertaker must be able to keep the bereaved from the workroom where the corpses are drained, stuffed and painted for their final performance...