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Both films suffer from scriptwriters' inability to go beyond a simple extrapolation of the hippie into already familiar contexts: Alice B. Toklas might just as well be called Nichols and May Meet The Flower Children, its frame of reference entirely consisting of semi-improvised Jewish comedy prevalent in Neil Simon and lesser Feiffer. Runaways is structurally a simplistic morality play juggling black-and-white moral quantities with the vengeance of a true confessions magazine...

Author: By Tim Hunter, | Title: I Love You, Alice B. Toklas and The Young Runaways | 10/15/1968 | See Source »

...pretty good at selling houses. Today, she is even better at selling them out. Mezzo-Soprano Verrett last week made her Metropolitan Opera debut as the heroine in Bizet's Carmen. Be fore the night was out, she had men smiling to themselves and women wondering how a flower might look in their teeth...

Author: /time Magazine | Title: Opera: New Go-Go Girl in Town | 10/4/1968 | See Source »

...Sure, hippies are armed," Morea says. "When the hippie movement began with flower children from the upper middle class, there were no arms, but the new hip movement is buttressed by the lower middle class and the lower class too, where they know about weapons." To Morea, now a social and political philosopher, the hip's thing is "to build our own community, one which can protect itself...

Author: By Joel R. Kramer, | Title: Ben Morea | 10/4/1968 | See Source »

MOREA'S dilemma is that his people have picked up weapons without picking up enough support to make the weapons matter. The street hip community--which does not include the flower child hippie, "who is still tied to property relationships"--never got over 200 in Boston this summer. Near the end, after several weeks of pounding from the police, it was down to fewer than 20. With so few troops, weapons are meaningless, unless the hips take to the hills and employ insurrectionist tactics...

Author: By Joel R. Kramer, | Title: Ben Morea | 10/4/1968 | See Source »

...list is still longer. Our eyes have not seen, and never will see, the end of the list. It contains the names of young writers and poets of whom we learned only by chance, thanks to personal meetings, men whose talent withered in the camps before coming to flower, men whose writings have not been rescued from the offices of the security services...

Author: /time Magazine | Title: World: THE WRITER'S PEN SHOULD NOT BE STOPPED | 9/27/1968 | See Source »

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