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There were blacks and whites, flower-decked hippies in shawls and black nationalists in African robes, sharecroppers in denim and urban youths in cowboy boots. The neat rows separating the plywood tents were given names like "Soul Street" and "Atlanta Street" while the shelters themselves bore inscriptions like "Soul House No. 1½," "We Shall Overcome," and "Girls Wanted, Experience Unnecessary." Children lined up for free inoculations against measles, whooping cough, diphtheria and lockjaw, and two vans for dentistry served kids and adults, many of whom had never before seen a dentist. Evenings, the entertainment was the finest in town...

Author: /time Magazine | Title: Nation: PLAGUE AFTER PLAGUE | 5/31/1968 | See Source »

...Crumpled Flower...

Author: By Michael J. Barrett, | Title: Salvation Through Meditation | 5/27/1968 | See Source »

Thus, in scant outline, my initiation. Dazed, swept through with wonder, I walked down the stairs and outside. In waning February sunlight, with a fierce wind blowing, I shook my head and looked down at my hand. I had been left with a wet handkerchief, one crumpled flower, and a repast--one of my two oranges...

Author: By Michael J. Barrett, | Title: Salvation Through Meditation | 5/27/1968 | See Source »

...from Orissa; it shows the hero Krishna trying to deceive one of his admirers by assuming the head of a peacock, the body of a tiger, the hump of a camel, one leg of an elephant, one leg of a horse, and one hand of a girl holding a flower. The devotee, says the legend, saw through the disguise...

Author: /time Magazine | Title: Art: Ponies, Peacocks & Pilgrims | 5/17/1968 | See Source »

This musical is a cross between a Dionysian revel and an old-fashioned revival meeting. The religion that Hair preaches, and often screeches, is flower power, pot and protest. Its music is pop-rock, and its dialogue is mostly graffiti. Hair is lavish in dispraise of all things American, except presumably liberty. The play itself borders on license by presenting a scene in which half a dozen members of the cast, male and female, face the audience in the nude. This tableau is such a dimly lit still life that it will leave most playgoers open-mouthed with yawns...

Author: /time Magazine | Title: New Plays: Hair | 5/10/1968 | See Source »

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