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...1890s, Louis Comfort Tiffany was ready with an American version of the new style. The 88 color plates in The Lamps of Tiffany Studios (Abrams; 178 pages; $120) demonstrate the distinctive artistry of the designer, who used 5,000 colors and textures of glass to confect his fanciful, flower-bedecked shades. For 40 years his Long Island foundries turned out the lamps that cast a gaudy glow in U.S. homes. Then Tiffany objects went out of style, and in the early 1930s their creator went bankrupt. In the late 1950s an art nouveau boom sent dealers scouring the attics...

Author: /time Magazine | Title: Books: A Shelf of Season's Readings | 12/12/1983 | See Source »

...home of the Ringling Bros, and Barnum & Bailey Circus. After a Roman Catholic ceremony, a circus parade, including elephants, tigers and clowns, wound its way to an arena where the newlyweds climbed the trapeze for their first flight as husband and wife. They rode off atop an elephant wearing flower garlands and a JUST MARRIED sign...

Author: /time Magazine | Title: Milestones: Dec. 12, 1983 | 12/12/1983 | See Source »

...whiter arrives and snow blankets the mountains, the pandas will face more than tummy aches. Two have already died. In 1975-76 a similar flower-and-die disaster involving the umbrella bamboo, which is in a different growth cycle, led to the deaths by starvation of 138 animals in a panda habitat on the border of Sichuan and Gansu provinces...

Author: /time Magazine | Title: Science: Battling a Bamboo Crisis | 11/28/1983 | See Source »

...discontent in Texas at both ends of the National Football League seems to center on quarterbacks but may also relate to passing times. Dallas was "America's team" as the country went western and cactus came to flower, when the majority of Charlie's Angels hailed from Texas, like the trashiest pulp novels and soap operas, and Easterners put up their own Lone Star cafés for two-stepping in boots and Stetsons...

Author: /time Magazine | Title: Sport: Bootlegs and Saddles | 11/7/1983 | See Source »

...line readings are intelligent. The rest of the ensemble has a more spontaneous energy, and one player, Neil Foster, almost explodes in the up-tempo We Beseech Thee. The slight plot and Stephen Schwartz's exuberant score, which in the 1971 premiere seemed purely a product of flower power, hold up surprisingly well: the youths who eventually join up with Jesus have been reconceived by Director Gregory Peterson as 1980s punk rockers with spiky hair, stiletto heels and spooky makeup, and their menacing manner lends urgency to the effort to convert them to righteousness...

Author: /time Magazine | Title: Theater: Great Expectations in Canada | 10/24/1983 | See Source »

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