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Guterman's main attempt so far has been to create a circus atmosphere. At lunch in Horn & Hardart's branch at Eighth Avenue and 58th Street in Manhattan, customers stand three deep to eat at a new "Burger in the Park" counter, complete with plastic-flower-lined paths, AstroTurf and cut-out clouds. At other outlets, rock concerts draw young late-night customers despite fear of muggings. A double-decker Horn & Hardart bus tours Manhattan free, stopping at such favorite tourist spots as the U.N. and the Empire State Building-as well as at 17 Horn & Hardarts. Meanwhile...

Author: /time Magazine | Title: MERCHANDISING: Rescuing the Automat | 5/28/1973 | See Source »

...painting: the miniature. Commissioned by rajahs, Moguls and well-off merchants, bound in albums and luxuriously scrutinized, these tiny images were as important in the East -from the 16th century onward-as panel painting in the West. The spring exhibition at Manhattan's Asia House is "A Flower from Every Meadow," a selection of 86 Indian paintings ranging in date from about 1520 to 1900. Chosen and elegantly catalogued by Art Historian Stuart Carey Welch, the 86 miniatures from American collections constitute one of the year's more delectable shows. The word Mogul has come...

Author: /time Magazine | Title: Art: Indian Miniatures: Delectable Medley | 5/7/1973 | See Source »

...dreams. It presupposes a return to the origins of form, to the half-articulate, the instinctive: uncensored desire. Me Tarzan, you Raphael. Dubuffet's art speaks directly to anyone who wants to abolish the humanist past-that area of art that insists that man is the flower of the universe and can, by force and subtlety of intellect, control it. His images assert the opposite: a nude becomes a lump of hairy pink clay with a pinhead, swagging numbles and a skin so gouged by fissures, cracks and graffiti that it is on the verge of turning into...

Author: /time Magazine | Title: Art: Dubuffet: Realism As Absurdity | 4/30/1973 | See Source »

WHAT THERE IS of plot comes from the Book of Matthew, which most people know already. The Biblical myth loses its metaphysical connotations, leaving an oversimplified story of eight innocents in search of an answer. John the Baptist pulls a flower bedecked cart over the Brooklyn Bridge one morning. He appears to the city's hungry souls in need of salvation. Their troubles are varied: one has spilled coffee on her waitress's uniform. Another is stuck in a traffic jam and a third is unfairly forced to wait in line to use a Xerox machine. He summons them...

Author: By Gilbert B. Kaplan, | Title: Lost Sheep In Central Park | 4/27/1973 | See Source »

...music was still pretty good, but Tough Tom began sounding like Sweet Baby James. If you had wanted Sweet Baby, you'd have gone to him in the first place. Tom had gone from Marlboro Man to Flower Child, from King of the Road to touchy/feeley. He was no fool: he knew the time had come and gone for the short-haired cowboy with the guttural voice and the glint...

Author: By E.j. Dionne and Michael S. Feldberg, S | Title: Rush | 4/19/1973 | See Source »

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