Word: fluff
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...deep staff cuts. Look's start-up costs have already topped $7 million, and losses are mounting at the rate of $300,000 an issue. The magazine received cautious initial praise for its mix of photos, articles about politics and medicine, and timely profiles, but lately the celebrity fluff has gained ground. Admitted former Editor and President Robert Gutwillig, 47, who remains a consultant to Filipacchi: "If we had done a better job, we would have sold more copies...
...film opens with the "tone and bars" test pattern of a T.V. minicam about to feed a live report to the evening news. Cut to Kimberly Wells (Jane Fonda), a local reporter hired for her red hair, good looks, and ability to deliver a snappy, well-timed piece of fluff to end the evening newscast. After doing her usual competent but contentless job, she's told to spend the next day filming a special on energy at a nuclear power plant outside Los Angeles...
Douglas secretly begins filming the panic unfolding in the room below him, while Fonda rushes back to the station, convinced that she has a story that will catapult her into hard news and out of fluff. But the station manager kills the story, after conferring with the power company's P.R. man. Fonda and Douglas keep trying to get the story out, and Lemmon joins their effort. The accident has alerted him to serious problems in the plant's safety precautions and he finds that inspection documents have been falsified. Lemmon tries, unsuccessfully, to prevent the plant from starting...
Perhaps Carril's hard-nosed, no-fluff attitude seems more realistic that McLaughlin's "wait-for-the-next-one," hoping praise. But you have to feel that McLaughlin's positive outlook benefits a young, inexperienced team like Harvard or Princeton...
...when times were tough, movie audiences lined up for screwball comedies, wonderful bits of fluff like Bringing Up Baby with Katie Hepburn and The Awful Truth with Irene Dunne. In 1978, a year of falling dollars and rising prices, audiences often made similar choices. Thought was out. Thrills and chills and, most of all, sheer fun were in. Films that did well were ones that packed an old-fashioned entertainment wallop. "There was a big desire for mindless excitement this year," says Gene Stavis, director of Manhattan's American Cinemathèque. "Whether it's laughter or screams...