Word: fluid
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Dates: during 1990-1999
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...CONTACT" tour of the shuttle began when a smiley, peachy-cheeked Ride made a bee-line for the bathroom. Peeing in space: the timeless stuff of which third grade humor is made, no doubt prompted conjectures amongst Ride's under-age audience at homes across America concerning fluid volume weightlessness. But Ride explained the mechanics well enough that it became evident, even to us minors, that women couldn't use the standard apparatus. But that's all the mothership offered. No ladies room; zero gravity. Not known for cliffhangers, "3-2-1 CONTACT" suddenly had its target demographic, male...
...taking advantage, for ruling over what has become a majority with a power they are not entitled to. It's up to us as graduates to remember to work outside to change these things, and to return here to change with a vengeance. This is, after all, a fluid and changing democracy, and if Sally can find a way to even things up, then damn...
...CONTACT" tour of the shuttle began when a smiley, peachy-cheeked Ride made a bee-line for the bathroom. Peeing in space: the timeless stuff of which third grade humor is made, no doubt prompted conjectures amongst Ride's under-age audience at homes across America concerning fluid volume weightlessness. But Ride explained the mechanics well enough that it became evident, even to us minors, that women couldn't use the standard apparatus. But that's all the mothership offered. No ladies room; zero gravity. Not known for cliffhangers, "3-2-1 CONTACT" suddenly had its target demographic male...
...taking advantage, for ruling over what has become a majority with a power they are not entitled to. It's up to us as graduates to remember to work outside to change these things, and to return here to change with a vengeance. This is, after all, a fluid and changing democracy, and if Sally can find a way to even things up, then damn it, so can we. Molly Hennessy-Fiske'99, a social studies concentrator in Eliot House, was executive editor of The Crimson...
...advised recent forays into funk and balladry, Connick here returns to form. Sure, the album could do without some of the slower numbers, but there's a lot to love--the sparkling title track, a rendition of Time After Time. Connick's vocals are deft and his piano playing fluid. A swing...