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...before." Lee Thomas, administrator of the Environmental Protection Agency, expressed "a sense of urgency" about tightening Union Carbide's safety measures. (Two days after the Institute crisis, a company plant in South Charleston, W. Va., leaked about 4,000 lbs of an ontoxic mixture used to make hydraulic brake fluid.) The company's beleaguered chairman, Warren Anderson, traveled to West Virginia, where he announced that in the future Union Carbide would sound alarm swarning nearby residents at the first sign of any trouble. "We'd rather be accused of crying wolf," he said, "than be accused of not doing...

Author: /time Magazine | Title: Under a Noxious Cloud of Fear | 6/21/2005 | See Source »

...best watercolors yield nothing to his larger paintings. Homer had great powers of visual analysis; he could hardly look at a scene without breaking it down and resolving it as structure, and some of his paintings of the Adirondack woods, with their complicated shuttle of vertical trunks against a fluid background of deep autumnal shade, are demonstration pieces of sinewy design. He was able to isolate a motif in action, as though the watercolor were a pseudo photograph. This sometimes looks false, but it was exactly the kind of falsity that appealed to popular taste, and Homer's watercolors...

Author: /time Magazine | Title: Art: Into Arcadia with Rod and Gun | 6/21/2005 | See Source »

...broad effects; nothing proclaims the amateur more clearly than niggling and overcorrection. It can be violated (Homer sometimes did his highlights by tearing strips of paper away to show white below), but it also demands an exacting precision of the hand--and an eye that can translate solid into fluid in a wink. Homer understood and exploited all these needs of watercolor better than his contemporaries, and he applied them where they most belonged--to the recording of immediate experience. A painting like Key West, Hauling Anchor, 1903, has a sparkling directness hardly attainable in oil. It is so simple...

Author: /time Magazine | Title: Art: Into Arcadia with Rod and Gun | 6/21/2005 | See Source »

...first break in al-Qahtani 's facade comes with a long-delayed call of nature. When a hunger strike he has launched fizzles, he starts refusing water. That becomes a battle of wills--and teeth. Al-Qahtani quickly becomes so dehydrated that medical corpsmen forcibly administer fluids by IV drip. He tries to fight them off with his hands and is restrained. Another time, al-Qahtani tries to rip the IV needle out; when he is cuffed to his chair, he turns his head and bites the IV line completely in two. He is then strapped down and given...

Author: /time Magazine | Title: Inside the Interrogation of Detainee 063 | 6/12/2005 | See Source »

...rigor,” and deduces that the “movement between spaces rarely occurs on-axis, but instead requires a shift onto a sub-axis, which itself usually organizes a subsidiary space in the composition.” In other words, moving through Harvard’s fluid open spaces leads to even more open spaces. We don’t need geometry to know that this is the way the Yard was designed and the way that Harvard and the world on the whole operates best: open to new ideas, people, places, and new ways of seeing...

Author: By Alex L. Pasternack, | Title: Open Spaces | 6/8/2005 | See Source »

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